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I had him shoot the headstock in dark currant pearl as well. I'm curious to see if a Lakland sticker reappears! But it had to be done, imho.
I meant right hand. I'm not really that confused, just the old drill sergeant trick of calling your right my left as I'm staring at the screen. DOH!
headstock? Marcus, you're a graphics person. I mentioned to Pat Wilkins (www.wilkinsguitars.com) that it seemed to me that dark basses w/ maple boards needed, from an asethic point of view, that dark headstock to give the bass an asthetic "yin/yang" balance.
I had him shoot the headstock in dark currant pearl as well. I'm curious to see if a Lakland sticker reappears! But it had to be done, imho.
Am I high? Or do I SUCK like Grateful!?
Bummer! I think you're better off with email. Shoot one to Leo Lopez:One of my coils is nonfunctional on the back pup of my 55-94. Its an LH3 system. Ive left messages at Hanson and Lakland to no avail. I just want to buy another pup. Any suggestions on who to speak to?
Luke.Walton said:Aside from the great playing and sound, that clip just reminds me of how brilliant Dan and the rest of the early crew were in choosing the oval bridge, immediately identifies that bass as awesome, haha.
Good find Orlando![]()
Love jamming w/ new drummers that have that "it" that just makes your head bob and funky stuff just fly outta your bass!
Oh but some folks think that bridge makes em look hideous and ugly! LM*@O!!
I didn't dig the bridge at first, but now it's like you said.
First thing he said was "man, that bass sounds killer!" The LOG bass strikes again!
She just kills in the mix!
Holdsg said:Anything better than that bent metal travesty that F keeps putting on theirs.





