View attachment 3497490 View attachment 3497494 View attachment 3497491 View attachment 3497492 View attachment 3497493 Speaking of Dan... here’s the story and some new pics of a bass he definitely took part in creating: Serial Number 11. Some of this I’ve told before. But, after showing her to a friend yesterday, I remembered more details and my appreciation was renewed.
Sorry for the wordiness... there’s a lot to tell!
Specs: Ash body, nitro paint, flame maple neck, birdseye fretboard, original MAGNIFICENT Bartolini p’ups and preamp, original non-branded bridge, original Hipshot tuners, original knobs.
Mods: Neck plate replaced (at some point, probably very early on) by countersunk bolts. Fender style truss rod nut replaced with typical Lakland nut. First fret side and front dot added in recent years during truss Rod repair, more details below.
Build details, per Carl and a previous owner: the early basses were done by hand, no CNC. This one has what some Lakland enthusiasts lovingly call a “McFarland neck”. This means it was hand-shaped by Hugh McFarland, the LAND in LākLAND. Dan is the LAK. Anyways, Hugh’s necks are reported to be the most comfy to come out of Chicago, and I won’t argue against it. This neck is hands down the best of the over 25 Laklands I’ve owned, and the standard I compare 4 strings too. Being hand done, it wasn’t perfect and has what looks like an ebony shim (possibly dark rosewood) in the neck pocket, and a minor neck heel shaping error there too.
The early truss rods were Fender style that they heated and bent at the end. Some weren’t heated and quenched properly, leaving the metal brittle. That was the case with Eleven, and the rod snapped a few years back. I sent it to Carl telling him that the neck had to be saved, even if it meant removing the board to install a new rod. He thought I was crazy, and said it would be better to just build a new neck. Carl isn’t very nostalgic it seems LOL. Anyways, there was another option which offered two chances to save the existing rod. Carl said he could remove the nut and drill down to the rod, drill through the rod, and anchor it. If the bit slipped at all, it was on to the 2nd chance which was to repeat the process between the nut and first fret. This is why Eleven has the extra dot marker at #1.
Carl said they figured out, thanks to a famous NY builder, that countersunk neck bolts were key to better speaking E and B strings. So, someone had Eleven modified to remove the neck plate, and also had the truss nut modernized.
As for the body and nitro paint: Carl said they were sending out some early basses to be painted with nitrocellulose, and found out later that the guy was doing it in a garage LOL. Needless to say, some weren’t perfect w/ dust and hair in them, and other flaws. Eleven was supposed to be just teal. But, the black edge of the burst was added to cover a flaw. And, that’s probably why Carl can remember all these details after almost 25 years.
I love how the early basses had front mounted jacks, a favorite of mine! And, I especially love how the paint has aged and crackled.
Here's Lakland 4-94 serial number 012. LPB with matching headstock. I bought this from Dan in person at his office/ shop, and I believe that he told me it was his personal bass at the time. It already had a ding in the finish on the forearm bevel, so that's probably why he kept it. That might have been in '96 or so.