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Lakland Owners Group #69

I have seen this bass on the GC site for awhile now. Its been sold and returned at least twice. GC labels it as "good". Its a first or second year 02 because of the color (which isn't common). So have any of you bought and returned this? I am interested at what the problem is that makes it not a good value at that price.

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From what I notice the fretboard has a wear stain around the upper frets under the G string. I bought a used 55-01 here and it showed up with the same issue in a different spot. I took it to a luthier who told me there was nothing to be done about it. Oil and dirt from fingers get into the grain. Unless you like a worn look it's probably a deal killer.
 
Well I am officially a member now. Thanks to consultation from this thread. Ordered one of these on Reverb this weekend.
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Would sanding off the finish and then putting on multiple coats of Tru oil yield the same results?

short answer: yes
longer answer: Tru oil provides a harder finish (IME) than mineral oil/beeswax blend that I use (Howards), but will get you in the same non-sticky ball park versus a gloss poly finish.
 
Hey all! I just joined the club by picking up a 55-14 on a trade with a forum member. I'm really liking it.

I was looking at the FAQ on the official Lakland website and I see they recommend orange oil and clear paste wax or bowling alley wax for maintaining the neck. Are there specific products that you all use? I'm looking at Amazon and a lot of the clear paste wax comes in large containers that are like 30 bucks. Is beeswax the same thing or a good substitute? I see that comes in small containers.

Thanks!
 
I just got a Lakland 55-01 I bought used here on the Talk Bass classifieds. First all, great bass that I'm really liking. One issue I'm noticing is the high end is a little brittle which I see a lot of others mentioning. I can run it in passive and use my Mesa Subway+ preamp pedal to do preamp duties. But it is at church where I play right now so I'll have to wait to try it. So I have a dumb question. Will the preamp still color my passive tone, or does it bypass the preamp completely in passive mode? Obviously, the passive tone doesn't have a tone control, so I'm still considering a John East Uni pre to help provide that, as I do miss the tone control rolloff I'm used to on other basses I have.

I have a 55-02, and I won't be much help on your passive tone wiring question, but from playing in a church setting I have had the same "brittle" tone issue. I could tell as soon as I un-boxed it and played it unplugged that it was much brighter than the other basses I've played (old Fender PB 4 and a Modulus 5). First 5-6 times at church (contemporary PW w some modern gospel mixed in), I never got it dialed in, just a bad mix of bright top-end and a thin low-end (we play direct, no amps). Breakthrough for me was to set up my Helix Stomp XL for an Ampeg B-15 preamp, add some EQ for some extra low-end and mids, then on the bass roll the bass knob in active mode up 0-30% (depending on song and the overall mix) roll the treble off 20-30% and leave the mid flat. This gave me the fat bottom end that the FOH guy wants but still enough high-end for definition and have it sit up in the mix a bit. If that had not worked I was going to try flats instead of rounds, I was that desperate. But, works great now, and that Lakland low B is so sweet when you need it!
 
I have a 55-02, and I won't be much help on your passive tone wiring question, but from playing in a church setting I have had the same "brittle" tone issue. I could tell as soon as I un-boxed it and played it unplugged that it was much brighter than the other basses I've played (old Fender PB 4 and a Modulus 5). First 5-6 times at church (contemporary PW w some modern gospel mixed in), I never got it dialed in, just a bad mix of bright top-end and a thin low-end (we play direct, no amps). Breakthrough for me was to set up my Helix Stomp XL for an Ampeg B-15 preamp, add some EQ for some extra low-end and mids, then on the bass roll the bass knob in active mode up 0-30% (depending on song and the overall mix) roll the treble off 20-30% and leave the mid flat. This gave me the fat bottom end that the FOH guy wants but still enough high-end for definition and have it sit up in the mix a bit. If that had not worked I was going to try flats instead of rounds, I was that desperate. But, works great now, and that Lakland low B is so sweet when you need it!
The first thing I did when I got my 55-02 was to put flats on it. Very pleased with the way it sounds and plays.
 
Would sanding off the finish and then putting on multiple coats of Tru oil yield the same results?

Sort of. I agree with @Holdsg that Howard’s Feed n Wax is a closer feel to a US neck.

Hey all! I just joined the club by picking up a 55-14 on a trade with a forum member. I'm really liking it.

I was looking at the FAQ on the official Lakland website and I see they recommend orange oil and clear paste wax or bowling alley wax for maintaining the neck. Are there specific products that you all use? I'm looking at Amazon and a lot of the clear paste wax comes in large containers that are like 30 bucks. Is beeswax the same thing or a good substitute? I see that comes in small containers.

Thanks!

I use Howard’s Feed n Wax