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Let's see your Bass Rig

I agonized over that decision. And the 210 wasn't available in Oct 2015 ;)
The 15 as a stand alone works great.
The 12 has a tiny footprint and is great on tight stages.
2x115 to me was too much bottom.
2x112 not deep enough.
The low mid forward character of the 12 and its clear articulation, dovetails SO WELL with the drum tight depth of the 15.
The end result is a really articulate, punchy, loud, low, FAT thick tone, that has clear presence in all frequencies without the common dips and valleys that cause eq twiddling.
I have run the cabs with a power amp only no eq. With my Warwick Dolphin and the pleasing result was very reminicient of a direct signal.
Stunning. I stopped using a compressor to smooth the response once I got the Mesa rig.
I have the same two cabinets and what Mephisto said, has worked for me. I haven't used both cabinets yet since the 15 fits for every place that I have played, so far.
For an amp, I'm using a TH500 but I'm saving up for either a D-800 or the newer Aguilar amp.
 
Seriously, how DOES it sound? These were common back in the late 60s,I think. I see them come up on eBay from time to time.
This amp always sounds good no matter where it is. I have owned plenty of amplifiers that would sound great at rehearsal, but when I got to the gig I would have to work to get the same sound out of it. That is one of my criteria for what makes a great amplifier. That is, how long does it take to plug in and get a sound that you are happy with. True enough there is only the one tone control to adjust, so you don't get a variety of sounds. It's a one trick pony but it's quite a trick. The sound is so flat that you can really hear what your bass sounds like. Of course all this hinges on whether or not your using the original speaker. The Eminence brand speaker (Pro-Mag) that came with these were unique in that they had a SPL of 109 dbl and could be driven to their peak efficiency with only 9 watts. The trade off is that they are only rated at 25 watts. Needless to say there aren't many survivors. I just had the presence of mind to buy up every one I saw. But to answer your question, to plug into a Univox UB250 is to time travel. Maybe back to that Christmas morning when it sat in your living room, maybe back to the first time you and your friends rehearsed in the garage. But to hear it is to remember why you started playing in the first place....that sound.
 
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I haven't posted in a few years. Here is my gig rig. Once I had this put together, my quest for sound and tone was pretty much complete. The vintage cab is an Original A brown Soun front loaded with JBL E120-8's. It is from Dead tour supposedly. I got it from the original Tone Tubby warehouse in San Rafael,CA.
 
I just set this up (again) in the workshop for the evenings where I feel like jamming before going home ;)

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It's an EAW 15" sub with an EAW 6" + 2" on top, using a Crest power amp and an old soundweb for a crossover and EQ. This is an old photo (still missing the connectors on the front panel) from when I did use it for practice and jamming/gigging for a while, but it's way to heavy to be moving! Now I use a Rumble 500C:

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I am thinking about picking up a small combo for home practice, as the Rumble is far too loud, but I am not sure what flavour yet.
 
Bet that makes a joyful noise.

LOUD, WONDERFUL noise! I also use a Streamliner 900 for a change of pace and it is a different kind of wonderful. I also have a Glockenklang HeartCore head that I am going to use on occasion.

Just as a FYI - when I sub at other churches I often use an Accugroove Tri-112L and one of the heads instead of the other church's rig.

Dan
 

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