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Let's spread some musical misinformation

A = 419 = 4+1+9 = 14 = 1+4 = 5. Therefore, we should all play five string basses.

Asdfgh must surely be Q, which wouldn't help identify the elusive pizza-ring swamp drainer except the DJ going by the name of Q-Bass (5) is known to be Jakub Zeremba. It was the "all play five-string bass" plug that rumbled you, Asdfgh/Jakub
 
But only if the string is made of German steel. For some weird reason not yet understood by metallurgists, American steel would break under that tension.
My anglo concertina (alas, little played) is a bit over 100 years old, and the spring steel for replacement reeds wasn't obtainable 30 years ago. ISTR it was Swedish made, and modern replacements are softer and sound like it.

Hang on to your bass strings, folks!
 
The best sounding bow for an upright bass was sold for $3.4 billion and was made in 1642 with ebony wood and the back hair from a sasquatch. The upright bass made with that bow used gut strings also sourced from a sasquatch, but was destroyed in 1673 during the Sasquatch rebellion. Only the bow survives.
 
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The best sounding bow for an upright bass was sold for $3.4 billion and was made in 1642 with ebony wood and the back hair from a sasquatch. The upright bass made with that bow used gut strings also sourced from a sasquatch, but was destroyed in 1673 during the Sasquatch rebellion. Only the bow survives.

The auction for the bow was won by a direct descendant of the sasquatch who provided the hair. It was ceremoniously cremated by the family and the ashes are now on permanent loan at the Bass Museum in Sasquatch, PA.
 
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It's no secret that Jimi Hendrix pulled out all the stops, including setting his guitar on fire, when the Experience played at the Monterey Pop Festival. One detail that isn't so widely known is that he went behind his Marshall stacks, stuck the little yellow tip of the Ronson can up his nose, and took a couple giant snorts of the lighter fluid before burning his guitar.
Jimi Ronson.jpg
 
Music theory is complicated. And during the few moments that we have left, we want to talk right down to earth in a language that everybody here can easily understand. So we don't use music theory. We have a cult of atonality.