I just caught up with you guys! I purchased an HX a few weeks ago. It is pretty much exactly what I was looking for!
It's interesting seeing people get the HX, falling in love with the sounds and format, and then seeing themselves upgrading to the big brothers later.
I'm coming at it from the opposite end. I started this multi-effect quest with an FX8 (which did not last long!....UI to me was very cumbersome) Then I jumped to the LT. I loved it! Tons of options and a wonderful user interface. It filled in so many gaps in my board (as others have said for effects they still need but seldom use) But it is large!!! And I still love acquiring the occasional new pedal. So I was like "man, if they just had tons of effects in a smaller box that I can add to my existing board, that would be great!"
And so they did.
And it has been good. I too am going through the process of seeing what to keep and what to sell. The great thing about the effects on the HX is that they are mostly all acceptable in a live playing environment. I could easily see bringing my cali compressor and Noble bass preamp and having a nice little fly rig.
With that being said, my breakdown of the HX effects are as follows:
Fantastic!:
Overdrives, Modulation, and Delays- I have had all of the Strymon and Eventide at this point and have no problem shedding them for the effects in HX. Having had several iterations of Darkglassdom, the HX does a wonderful job of getting close. The delays are very usable and good. The modulation is what really impressed me. WAY better than most of Eventide's and not quite as glassy as the Strymon Mobius. They just feel more authentic.
Totally usable but I prefer the real thing:
Octave
Synthy pedals
Filter effects
Compressors
Others have said it. There is just something about an analog octaves and filters. Playing out with these live I wouldn't have any issues. The compressors are actually really dang good but I love my Cali76. Haven't played with the synth stuff that much and admittingly the music I play doesn't often call for those when playing out.
The weakest link:
The reverbs. I will preface this by saying 2 things:
1. I am a reverb snob.
2. The Helix new reverbs are much better than their preexisting algorithms.
That being said...I have found reverb love in the form of the Source Audio Ventris and it will be doing all my heavy lifting. I just haven't found better room and spring emulation in other pedals at this point including the Strymon Big Sky which was the front runner for a long time....and I have literally been through everything that has reverb attached to its name.
So, but that is the beauty of this thing. You keep the HX for all kinds of things but it is small enough that you can afford to keep some of your passions on the pedalboard AND still be part of the Helix family. Everybody has something they value...overdrives....special fuzzes...ambient effects, and this solution allows for the best of both world while keeping a fairly small footprint.
So far I have figured out that I will be keeping:
1. Noble Bass preamp
2. Cali76 CB compressor
3. Cog t-16 octave
4. Banana Effects Matryoshka synth pedal
5. H9 max
6. Source Audio Ventris Reverb
Things leaving:
1. Darkglass pedals
2. Strymon stuff
3. Chase Bliss Warped Vinyl Hi-Fi
4. Orange Getaway Driver Overdrive
5. Not sure on my Spaceman Titan II Fuzz yet
Weird things I still want to fill in sounds now that most of the Basics are covered by the HX and the pedals I'm keeping:
1. Chase Bliss Thermae harmonizing delay
2. Chase Bliss Condor eq/filter
3. Perhaps getting back a small bass wah like the Chi Wah pedal
4. Possibly the new Origin Overdrive once they come out with the bass version simply because I am a fanboy.
5. Some kind of expression pedal.
I should say I have been running 2 amps at this point for a Wet/Dry setup and it is amazing!
My dry sound is Cali76--Noble Pre--Phil Jones PB100 powered cab
Most of my pedals go into my wet amp which is a Darkglass 900----AudioKinesis Hathor 1203 cabinet
The phil jones is small and does not get super loud but it does just give me that extra dry sound that makes all the Reverb's and delays coming from my wet amp sound so 3 dimensional! I highly recommend it! The Noble allows my to run a juicy dry signal to the board and now I just have to figure out something to send the wet signal out of. I was thinking this:
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Anyways, sorry I have talked your ear off! Cheers!
It's interesting seeing people get the HX, falling in love with the sounds and format, and then seeing themselves upgrading to the big brothers later.
I'm coming at it from the opposite end. I started this multi-effect quest with an FX8 (which did not last long!....UI to me was very cumbersome) Then I jumped to the LT. I loved it! Tons of options and a wonderful user interface. It filled in so many gaps in my board (as others have said for effects they still need but seldom use) But it is large!!! And I still love acquiring the occasional new pedal. So I was like "man, if they just had tons of effects in a smaller box that I can add to my existing board, that would be great!"
And so they did.
And it has been good. I too am going through the process of seeing what to keep and what to sell. The great thing about the effects on the HX is that they are mostly all acceptable in a live playing environment. I could easily see bringing my cali compressor and Noble bass preamp and having a nice little fly rig.
With that being said, my breakdown of the HX effects are as follows:
Fantastic!:
Overdrives, Modulation, and Delays- I have had all of the Strymon and Eventide at this point and have no problem shedding them for the effects in HX. Having had several iterations of Darkglassdom, the HX does a wonderful job of getting close. The delays are very usable and good. The modulation is what really impressed me. WAY better than most of Eventide's and not quite as glassy as the Strymon Mobius. They just feel more authentic.
Totally usable but I prefer the real thing:
Octave
Synthy pedals
Filter effects
Compressors
Others have said it. There is just something about an analog octaves and filters. Playing out with these live I wouldn't have any issues. The compressors are actually really dang good but I love my Cali76. Haven't played with the synth stuff that much and admittingly the music I play doesn't often call for those when playing out.
The weakest link:
The reverbs. I will preface this by saying 2 things:
1. I am a reverb snob.
2. The Helix new reverbs are much better than their preexisting algorithms.
That being said...I have found reverb love in the form of the Source Audio Ventris and it will be doing all my heavy lifting. I just haven't found better room and spring emulation in other pedals at this point including the Strymon Big Sky which was the front runner for a long time....and I have literally been through everything that has reverb attached to its name.
So, but that is the beauty of this thing. You keep the HX for all kinds of things but it is small enough that you can afford to keep some of your passions on the pedalboard AND still be part of the Helix family. Everybody has something they value...overdrives....special fuzzes...ambient effects, and this solution allows for the best of both world while keeping a fairly small footprint.
So far I have figured out that I will be keeping:
1. Noble Bass preamp
2. Cali76 CB compressor
3. Cog t-16 octave
4. Banana Effects Matryoshka synth pedal
5. H9 max
6. Source Audio Ventris Reverb
Things leaving:
1. Darkglass pedals
2. Strymon stuff
3. Chase Bliss Warped Vinyl Hi-Fi
4. Orange Getaway Driver Overdrive
5. Not sure on my Spaceman Titan II Fuzz yet
Weird things I still want to fill in sounds now that most of the Basics are covered by the HX and the pedals I'm keeping:
1. Chase Bliss Thermae harmonizing delay
2. Chase Bliss Condor eq/filter
3. Perhaps getting back a small bass wah like the Chi Wah pedal
4. Possibly the new Origin Overdrive once they come out with the bass version simply because I am a fanboy.
5. Some kind of expression pedal.
I should say I have been running 2 amps at this point for a Wet/Dry setup and it is amazing!
My dry sound is Cali76--Noble Pre--Phil Jones PB100 powered cab
Most of my pedals go into my wet amp which is a Darkglass 900----AudioKinesis Hathor 1203 cabinet
The phil jones is small and does not get super loud but it does just give me that extra dry sound that makes all the Reverb's and delays coming from my wet amp sound so 3 dimensional! I highly recommend it! The Noble allows my to run a juicy dry signal to the board and now I just have to figure out something to send the wet signal out of. I was thinking this:
Invalid Link Removed
Anyways, sorry I have talked your ear off! Cheers!
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