I'd like to pose my dilema to the bass afficianados-
I just got a call to go out on tour in the fall. While the details are still somewhat int the air, it's an oppertunity for me to get out of the day job, and really give life as a pro a shot.
My main bass is a custom fretless 6, it has a very thin neck and incredible action. It's also about to have a U retro driving Lane Poors and a peizo. While this is a great rig for jazz, it's not exactly the sound the band leader is looking for.
I've been itching for a fretted 5 ever since I picked up a Ken Smith at guitar center a few years ago, but never really had the impetus to swap gear and lay down money. The gear i'd be turning over would be a Peavey Cirrus 4, and a standup- Those plus cash should get me into a the ~$2000 range, which is in reach of a used high end 5. The problem I have is I'm pretty particular about basses, necks, feel and sound, and have been burned ordering instruments. (I ordered a MIA fevder jazz 5 about 7 years ago that played miserably- vowed never to do that again) Why that's a problem is easy, there aren't exactly a lot of high end used basses sitting around in music shops around here.
I have a pretty specific set of wishes for this bass-
-thin neck (I don't care for warwics- the peavey is fine)
-active electronics (is there any reason to like barts over EMG's?)
-35"scale
-24 frets
-whole natural tone
-stable neck (we'll be touring the west in the fall and winter- I don't want to be adjusting the truss rod during sound check!)
-through neck is a plus
-natural finish is a plus
-non fender shape a plus (i don't really know why)
-I'd prefer used 'cause I know I'm going to scratch it anyway, might as well get the best bass I can for the $$
For reference heres a bit of background:
basses I've played and liked a lot-
my fretless (obviously)
ken smith 5
sokup 6
MM sterling 4- (wasn't wild about the playing action but bought it 'cause I loved the tone, ended up trading straight across for the peavey, cause it had better action and almost equivelent tone. )
basses i've been neutral about (nice, but didn't speak to me enough to buy)
Bongo 5
Modulus flea
Basses I didn't care for (no offense intended to anyone who loves theirs dearly-I'm a weirdo
)-
Warwics (I think it's mostly 'cause of the neck size)
Fenders (I think just got a bad one)
Ive run across a few within reach- a Sokup 5 that looks just like the 6 I played, a Skjold 5 that may or may not be available, a Zon posted here a couple weeks ago, and some others who's names escape me at the moment.
Can anyone help me out with some experience here? I feel like if I'm going to have to learn a tours worth of music in a month, I'd like to at least have the bass around to get used to it, and playing 5 strings and all that, so having one built is out of the question (probably $$ wise as well) so it has to be one that's availible.
I'm about to wander into the Boston Guitar center and see what they have...
Thanks for any input-
I just got a call to go out on tour in the fall. While the details are still somewhat int the air, it's an oppertunity for me to get out of the day job, and really give life as a pro a shot.
My main bass is a custom fretless 6, it has a very thin neck and incredible action. It's also about to have a U retro driving Lane Poors and a peizo. While this is a great rig for jazz, it's not exactly the sound the band leader is looking for.
I've been itching for a fretted 5 ever since I picked up a Ken Smith at guitar center a few years ago, but never really had the impetus to swap gear and lay down money. The gear i'd be turning over would be a Peavey Cirrus 4, and a standup- Those plus cash should get me into a the ~$2000 range, which is in reach of a used high end 5. The problem I have is I'm pretty particular about basses, necks, feel and sound, and have been burned ordering instruments. (I ordered a MIA fevder jazz 5 about 7 years ago that played miserably- vowed never to do that again) Why that's a problem is easy, there aren't exactly a lot of high end used basses sitting around in music shops around here.
I have a pretty specific set of wishes for this bass-
-thin neck (I don't care for warwics- the peavey is fine)
-active electronics (is there any reason to like barts over EMG's?)
-35"scale
-24 frets
-whole natural tone
-stable neck (we'll be touring the west in the fall and winter- I don't want to be adjusting the truss rod during sound check!)
-through neck is a plus
-natural finish is a plus
-non fender shape a plus (i don't really know why)
-I'd prefer used 'cause I know I'm going to scratch it anyway, might as well get the best bass I can for the $$
For reference heres a bit of background:
basses I've played and liked a lot-
my fretless (obviously)
ken smith 5
sokup 6
MM sterling 4- (wasn't wild about the playing action but bought it 'cause I loved the tone, ended up trading straight across for the peavey, cause it had better action and almost equivelent tone. )
basses i've been neutral about (nice, but didn't speak to me enough to buy)
Bongo 5
Modulus flea
Basses I didn't care for (no offense intended to anyone who loves theirs dearly-I'm a weirdo
Warwics (I think it's mostly 'cause of the neck size)
Fenders (I think just got a bad one)
Ive run across a few within reach- a Sokup 5 that looks just like the 6 I played, a Skjold 5 that may or may not be available, a Zon posted here a couple weeks ago, and some others who's names escape me at the moment.
Can anyone help me out with some experience here? I feel like if I'm going to have to learn a tours worth of music in a month, I'd like to at least have the bass around to get used to it, and playing 5 strings and all that, so having one built is out of the question (probably $$ wise as well) so it has to be one that's availible.
I'm about to wander into the Boston Guitar center and see what they have...
Thanks for any input-

