Yes much can be achieved by Sound Reinforcement and giving leeway to ensemble, but this is a Death Metal act.
We have seen situations where the bassist comes in 2X over power of the Guitarist as Entwistle ascertained and there was no problem at all, because he had discipline to play for the group.
We have seen where that increase in mass and power made the Guitarist go out and get a bottom 4X12 and go into nirvana because the tone was more inspiring when the power tubes began running at the 4 ohm level, and things got even better, because he was not struggling to get what he wanted from his system, and he was still mic'd.
We have seen the 800W of Guitar get mic'd on an outdoor gig and there being no wire for the Bass, and the Bass take on 2000W of PA and 800W of Guitar and still pound the Festival Field from the Flatbed Stage. [I supposed Genz did not lie about 1W of GB sounding like 2W of anyone else].
In the opinion given, we were not wanting to pass judgement on the choice of 10's. We were trying to respect that the 10's might be a tonal choice, and then help the player move to his objective of world domination [because that is what Bass is all about. right?]
When a player finds a tone that inspires him, do not ever try and take that away from him.
Just as in a studio, we work and labor to foster and support that for the Artist.
When you discover the tone that inspires you, keep your components a true to the original as you can. Then up the POWWWWA!