Absolutely love that colour combination.
First rehearsal this evening with a new hip hop band. The Scout played two roles: one as a bass amplifier, one as an amplifier for my Rhodes. Two basses were used: a six-string MTD and a P-bass with flats. Sounded a little strange with the MTD -- much to my surprise, actually -- and the P-bass was bliss. Sat well in the mix, but the MTD just sounded funny. Could have probably benefitted from some semi-parametric fiddling.
The Rhodes I am torn on. Obviously, it's not designed to be a vintage keyboard amp, but I thought I might have success. It was simply overwhelming in the mix: muddy, muddy, muddy. Solo, it sounded alright, but it just overwhelmed the mix with yuck (which was coming through a Shuttle 6.0/GS112 rig). I tried fiddling with so many settings, but nothing really worked on the go.
As anyone knows, a Rhodes is notoriously difficult to fit into a mix. It's muddy, deep and has a shrill upper end with a gap almost all the way to the low mids. Just couldn't find my hole with the Walkabout.
I will say, though, that the tube pre was a thing of beauty. That gooey touch-sensitive preamp works really well with keyboards, and makes me want to try my Rhodes through the fabled Twin Reverb.
Still love it. Just starting to see that my initial views of its versatility were probably overstated in my mind. My favourite P-bass with flats rig yet. (Though, I've got to say, the P with the Shuttle 6 with the GS112 stack sounds killer!)