Why don't
ALL these kinds of bass DI/preamps have a thru out like this one does? Isn't it obvious that a signal you've EQ'd for your stage sound isn't always going be the most usable signal for FOH? After reading through the
manual the Subway DI-Preamp is in terms of pure versatile functionality head and shoulders above anything else in its class or price range.
Based on the flexibility of this thing and how much I dig the EQ on the D-800 amp I'm going to give it a try as soon as L&M has them in stock. I can see it replacing one or two or....three things I've got now. If nothing else it'll likely be the go-to on a regular low volume restaurant gig with an acoustic piano player where I run my bass through the house PA.
The simple fact that unlike almost every other bass DI/Pre it's not cluttered with an unnecessary on/off stompbox switch says a lot about the thought that went into who it's for and how they really use a tool like this.