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NAD: Peavey MiniMega 1000!

From the user's manual:

Kosmos C is a bass harmonic enhancer that works by principles of psycho-acoustics. Kosmos C is designed to make smaller bass speaker enclosures (such as 112 cabs) sound larger by creating an illusion of increased bass. This is because the human ear perceives certain combinations of tones as one single tone that is extremely low in frequency. Technically, you are adding more bass when you use this feature, but you are adding upper bass content that is easier for speakers to handle, and that doesn’t eat up power amplifier headroom as much as simply boosting low EQ. This feature is especially useful when using extended range basses such as a 5-string bass with a low B string.

...probably not needed with an F212. :D

Sounds like the folks in marketing got a little creative :)
 
Sounds like the folks in marketing got a little creative :)

This is the Peavey implementation of the Waves "Maxxbass" type of DSP. Bobby has gone into some detail about it previously. I'm all for it and think that people who are using undersized cabs (aka cabs that are of the 'micro' variety that trade box volume for deep low end extension) are going to find this to be a great boon to their stage rig.

I have used the Waves hardware version at home for my small bookshelf home speakers as well as having done so with my little Alesis M1 powered monitors, and they do exactly as described. I also own the Maxxbass VST/AU plug ins for recording (Which does the same kind of processing), and have found that it's entirely effective in making bass audible in situations where bass isn't generally present (crappy car speakers, boom boxes, computer speakers).
 
From the user's manual:

Kosmos C is a bass harmonic enhancer that works by principles of psycho-acoustics. Kosmos C is designed to make smaller bass speaker enclosures (such as 112 cabs) sound larger by creating an illusion of increased bass. This is because the human ear perceives certain combinations of tones as one single tone that is extremely low in frequency. Technically, you are adding more bass when you use this feature, but you are adding upper bass content that is easier for speakers to handle, and that doesn’t eat up power amplifier headroom as much as simply boosting low EQ. This feature is especially useful when using extended range basses such as a 5-string bass with a low B string.

...probably not needed with an F212. :D

So it's a HPF essentially? Cuts out the super lows so that more audible bass is clearly heard.
 
To me, that's the most exciting part. Hearing how this power section does.

Exactly. I'm excited about it but don't even have a need for one...given I use a different Peavey quite happily...the IPR2-3000DSP. Which, I also have to comment, Bobby has provided lots of personal help to me in relation to my IPR usage over the years.
 
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This is the Peavey implementation of the Waves "Maxxbass" type of DSP. Bobby has gone into some detail about it previously. I'm all for it and think that people who are using undersized cabs (aka cabs that are of the 'micro' variety that trade box volume for deep low end extension) are going to find this to be a great boon to their stage rig.

I have used the Waves hardware version at home for my small bookshelf home speakers as well as having done so with my little Alesis M1 powered monitors, and they do exactly as described. I also own the Maxxbass VST/AU plug ins for recording (Which does the same kind of processing), and have found that it's entirely effective in making bass audible in situations where bass isn't generally present (crappy car speakers, boom boxes, computer speakers).


I use that vst also so now it makes sense I like your explanation better thanks for clearing that up.
 
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