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NBD: Ibanez SR300

Thanks. (Snip) an amp to practice through.
Congrats. Part of what got me hooked on Ibanez 22 years ago was the combination of excellent design, build, and materials — and the fact that deals always come up if you’re looking!

as for amps, I have two suggestions. 1. An old heavy Peavey rig of any kind. 2. Or find a GK Backline 600 and run it through whatever speaker you have on hand. Then save up for a good cabinet later on.

Option 2 sets you up for never needing to buy another amp, just save for a good cabinet while you work on your skills.

I do recommend you getting a traditional class AB amp instead of one of the little miracle lightweights so that you can learn how your bass interacts with the natural traditional amp electronics.
 
Woo! First post & first bass. I'm mostly a guitar player (not that I'm any good) and I've just started doing some recording, so I wanted to pick up a bass so I could record the bass tracks too. I'd had my eye on a couple inexpensive Harley Bentons, but this gem popped up on Facebook Marketplace. I had my eye on these orange Ibanezes in the past, and for the ripe sum of $100, I couldn't pass it up.

As soon as I got it home it went into the garage and I wiped the whole thing down with disinfecting wipes (current pandemic and all), then gave it my usual cleaning procedure. I cleaned the frets with steel wool, cleaned the fretboard, then cleaned parts of it again with something stronger to get the finger schmutz off, then coated it in Feed-N-Wax. While that was setting up, I polished the body & headstock with a good cleaner wax.

So far I'm really happy with the bass. It seems to have a ton of neck relief, but I want it to acclimate to my house before I play with the truss rod. I need to pick up a new knob for the volume pot.

Here's how it looked when I put it on the bench:
View attachment 3764152
View attachment 3764153

And after:
View attachment 3764154
View attachment 3764155

And in the house, ready for me to figure out how to play it:
View attachment 3764156
View attachment 3764157
Really dig that orange. Nice!
 
I had one just like that and 2 SR-400s (nearly the same thing) great basses, great necks and good sounding. Seems you got a fantastic deal!

Yes - the metric shafts are 6mm. Setscrew knobs are plentiful. See eBay if you can't find one easily.
I stand corrected.
I know my SR500 has the 1/4" pots. Maybe models like the SR300/400 use 6mm pots? I have an SR300E, I haven't had an opportunity to check what diameter pots that one uses, I was assuming the same as my SR500.
 
Can’t beat that for $100. Hopefully it’s not one of those with the stinky luthite body.

How can I tell?

No it's not Luthite. Soundgear basses are wood.
Comment was referring to the Ibanez Ergodyne series, most of them, except for some later models were indeed made of luthite. Ergodyne models are labeled with "E" at the beginning. eg. EDA900, EDB600, EDC700 etc. so easy to tell. I've owned quite a few of the Ergodyne basses and actually liked them.
 
No it's not Luthite. Soundgear basses are wood. Comment was referring to the Ibanez Ergodyne series, most of them, except for some later models are indeed made of luthite. Ergodyne models are labeled with "E" at the beginning. eg. EDA900, EDB600, EDC700 etc. I've owned quite a few of the Ergodyne basses.
Not the same as the Soundgear models.
Did you get the characteristic smell I’ve read about off of them?.
 
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Did you get the characteristic smell I’ve read about off of them?.
I've owned maybe six of them at various times, but all of them were used as I bought them quite a few years after production of the Ergodyne series ceased. They went with the luthite material because the bodies were often molded in such a way with contours to ergonomically fit around the body when playing it. The experiment failed as most people didn't like the luthite material. Maybe because they were used and years removed from being brand spanking new, but the smell (often described as a petroleum like odor) wasn't at all noticeable except maybe when you open the electronics cavity, then you get a slight whiff of it. My favorite was the EDC700.

Can't remember what wood the early SR300 were made of, I believe Agathis or basswood. I had an orange one (like the op) and a red with maple fretboard.
 
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as for amps, {snip} An old heavy Peavey rig of any kind.
These are great. I used a Mk VI head and a Scorpion 15 for years on stage before I started to DI in. Still have it now and it works fine, but weighs about the same as a small apartment building. For a fixed practice or rehearsal space rig, for the price you can pick one up, you won't do better.

I do recommend you getting a traditional class AB amp instead of one of the little miracle lightweights so that you can learn how your bass interacts with the natural traditional amp electronics.
I don't as basically the class of amp is irrelevant to tone in a bass rig; note this is coming from a EE who's designed and built hundreds of amps, and repaired, restored and modified literally thousands more over the last 30+ years.

Get whatever has the feature set you want/need, that you're happy to carry around, a brand with a reputation for reliability that's at a price you can afford.
 

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