I'm a fan of A2 pickups. That one is on my radar.Antiquity 1. Alnico 2
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I'm a fan of A2 pickups. That one is on my radar.Antiquity 1. Alnico 2
I knocked around adding the bridg and pickup covers but decided to leave it. I like palm muting right where that cover goes.a little bit of spray paint and a pickup cover make it look pretty killer to me. i got mine in a trade, and the stock pickup was dead. i picked up a cheap amazon one, and it's pretty bright. good opportunity to use the ... what's it called? ah -- the tone knob.
View attachment 7491262
It's understated and unique.Love that color.![]()
It’s a good one, you won’t be disappointedI'm a fan of A2 pickups. That one is on my radar.
Do you play rounds or flats?It’s a good one, you won’t be disappointed
The SCPB is a big Telecaster, the split coil P bass is a big Stratocaster.Me too.
I can't understand why Fender made their headstocks bigger and bigger. Not only do they add unnecessary weight to the end of the neck, the look (in my opinion) horrible compared to the Tele headstock.
On this bass I use theseDo you play rounds or flats?
Congratulations on the beautiful bass!Maybe its the Roundwounds, but it sounds much more modern than I expected (I normally play flats). The single coil is NOT tame or underpowered...it has some serious grit particularly for a stock pup.
I'm half tempted to keep rounds on this. I expected this to be a Jamerson-esque deep thud machine but it is proving itself to be very gritty and growly. I'm tempted to lean into this.Congratulations on the beautiful bass!
I have the identical bass in the same color (got last year for my birthday). I love it!! That color really grew on me. The very modern, gritty sound was a big surprise to me too. I think of this as my Chris Squire sounds bass, and it is stellar for punk.
Weirdly, I have another 50s SCP, identical except in two-tone sunburst, which I also love, but , which does sound the way I expected, very bassy thumpy 50s style. The difference persists even when I swap strings on the two basses. Must be the sunburst.
And the necks on these basses! I don't know what it is about this particular model, but I'd put them over the vintera even, and like 90% of the way to custom shop, in feel and sound.
Sometimes Squier absolutely nail it and this is one of the times. Sounds absolutely killer in this video:
I ordered a set of these. Going to keep an open mind. Thanks for the recommendation.On this bass I use these
La Bella Ian Martin Allison Super Polished Bass Guitar Strings - .045-.103 | Sweetwater
Only at Sweetwater! ✅ Easy Payments and ✅ FREE Shipping for your La Bella Ian Martin Allison Super Polished Bass Guitar Strings .045-.103!www.sweetwater.com
I took the rounds off mine almost immediately just because I don’t like the feel of rounds, so I don’t remember what it sounded like with them.
With Fender 9250 flats, it could growl like crazy but still thump with the tone rolled off. I recently switched to Labella LTFs for the lower tension and love the thump… but honestly, kinda miss the ability to get nastiness on demand. Might have to go back to the 9250s.
You’ll love em. Funny, once these settle in they have the same tone for a while. I usually change rounds ever 3 months, yet I’ve had a set of these on one of my Jazz basses for 8 months now. They still have a lot of zing.I ordered a set of these. Going to keep an open mind. Thanks for the recommendation.
Sheesh. Too late to edit, but I meant 9050.With Fender 9250 flats…
It is a purer and more even tone because you don’t have the two usual pickup halves interacting with each other and boosting and minimizing different frequencies.Congratulations, that is a gorgeous bass and to be perfectly honest, it looks as good as my '54 Reissue II P.
These SCPBs are a revelation. I purchased mine 6-months ago after having played the split coil for many years (amongst a roster of other basses) and while it does have a few quirks (namely 60-cycle hum from the single coil), I'm so taken with the tone I actually prefer to the split coil. IMO it is a purer, deeper bass tone with more growl in the low end - even with flats. I put a hunk of foam in the bridge on mine and switch out between straight fingerstyle and palm-muting in a small jazz ensemble playing standards, latin and bebop. The tone is perfect. Palm muting gives me a beautiful warm, thumpy tone and if I want to drive things along a bit more, I just ease into fingerstyle and the bass responds beautifully. I love it.