Ssh, you're going to make him cry. And then the word might get out and Carvin might start charging what Fender does or worse!Why? Carvin quality easily rivals and usually surpasses US Fender.
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Ssh, you're going to make him cry. And then the word might get out and Carvin might start charging what Fender does or worse!Why? Carvin quality easily rivals and usually surpasses US Fender.
Ssh, you're going to make him cry. And then the word might get out and Carvin might start charging what Fender does or worse!
Why not buy the real thing? Eventually you will wish you did.
Why not buy the real thing? Eventually you will wish you did.

Why not buy the real thing? Eventually you will wish you did.
What woods did you go with to make the bass brighter--other than a maple fretboard (for which I thought general opinion held didn't make much of a difference in terms of brightness)?
I had the 'real thing' (MIA 2009 P5). And a Sadowsky Metro. And multiple Laklands. All gone now and I don't miss 'em at all. I really wanted to like it, but alas I ended up regretting buying the Fender. I wanted to see how much difference a heastock decal madem but in the end, it didn't seem to do a whole lot. But at least I can now compare them from actual, hands-on experience.
Herrick, how does this bass compare to the Yamaha BB that you "tried to Like ?" Just curious. I still love my BB1025X. But...these Carvins are getting my attention.
Why not buy the real thing? Eventually you will wish you did.
I'm not going to be able to order a PB4 for a while, but I can tell you why I will eventually - the neck. I like the P-bass sound but can't stand the P neck, would much rather have a faster jazz neck. Which pretty much means a Lakland Duck Dunn or, now, the Carvin. And a Carvin I can get MIA for the price of an Indonesian Lakland and with my choice of custom features.
Why not buy the real thing? Eventually you will wish you did.
lolI'm going to start a thread on this: Fender, "the real thing"