Yeah it makes my brain boggle just imagining how I’d possibly get my intonation even remotely right!
indeed, fanned frets on fretless is not the best idea IMHO.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Yeah it makes my brain boggle just imagining how I’d possibly get my intonation even remotely right!
On the other hand, the drop tuner is indeed made in USA, not a "licensed by“ type.
I wouldn’t loose sleep over it: If Dingwall decided to switch suppliers, I‘m sure they are convinced about the tuners‘ quality. And if you really are unhappy in the long run, you probably would have been with the "old combustion" hipshot licensed tuners, too.
Yeah, well … Can‘t argue with aesthetic preferences. I actually agree, but if we’re being completely honest, the regular Hipshot Y-tuners are already an aesthetic compromise to me: I much prefer the look of Gotoh GB707s - which used to be installed on earlier Custom Dingwalls, by the way - but I vastly prefer the Hipshots overall.I'm not talking about quality. The new ones are ugly.
Yeah, well … Can‘t argue with aesthetic preferences. I actually agree, but if we’re being completely honest, the regular Hipshot Y-tuners are already an aesthetic compromise to me: I much prefer the look of Gotoh GB707s - which used to be installed on earlier Custom Dingwalls, by the way - but I vastly prefer the Hipshots overall.
It’s just the tuning key, you know? I get being thrown by something sticking out like a sore thumb from an otherwise almost over-engineered design, but at the end of the day, I also don’t really care about these miniscule details - anymore, that is. It’s been a journey.
I did want to ask the question if on the John Taylor signature standard production models if the tuners were Hipshot?
At the price point getting up there at close to $3 grand I would think the tuners would be Hipshot's.
$3 grand for a overseas instrument, that is just crazy depressing!!!!
I'm definitely in the "I'll mod anything" camp and if you feel that it makes a difference, then it does!
With that it mind, I looked up the price of a set of five Hipshot USA Ultralites. Ouch. I'm hoping that the ones on the Dingwall are Just Fine. And they probably will be! But if there are improvements to be made then there are options.
Wow, those chords in a Dingwall aren't easy!
You got it in one. The Aria SB-1000 he used at that time works on a filter system (in Active mode). It's a 6-position rotary switch. The Tone knob is also in play.
If you dig that sound, Arias can be quite the rabbit hole to go down! But for those of us that love 'em they are very interesting.

I have an Aria SB-1000 and my Dingwall NG2 does a decent job at that sound with the neck (middle) pickup soloed. I don’t know if the JT signature has the option to solo that pickup. I know the standard NG3 doesn’t.
I wouldn't mind modding mine to be able to do this. I'm gonna ask Jason at FretNation about this. I know he does other Dingwall mods.I've done some crazy things and spent awful amounts of money changing things that were less obvious than these tuners... One day I'll reach that level of indifference that you talk about. I've been working hard to focus on the music rather than on the gear. But like you said it is a journey. Part of it I guess it will be stop coming to Talkbass gear threads.
[Invalid or Expired Link Removed]![]()