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I'll forego a comparison of record sales. JTE, let's hear some of your work...I'd like to know how much weight to give to your opinion.
Critics come cheap.
Ah, well these are the responese I expected. I don't dislike Zep as I dislike hair-metal, Nirvana, and contemporary country artists. It's just that I don't think the MUSIC is as good as the band's place in pop culture would reflect. I don't mind sloppy playing if it's passionate (I like Neil Young), but you gotta bring something to the table and Page AS A SOLOIST is lacking in passion, techinique, and frequently interesting ideas.
As a producer, and as an orchestrator of guitars he's great. Layering lots of rhythm guitars, getting specific sounds out of different isntruments and blending them together, and then getting them to come out of little home stereo speakers- he's great!!! Getting Bonzo's drum sounds on vinyl is genius.
The comment about performance relates to the live recordings I've heard over the last 30+ years. The SONGS don't hold up without that specific performance. The original four memebers playing the songs live is what I'm talking about.
YMMV, and the point wasn't really to dis Zep, even knowing it was gonna come off that way. It was to point out that Jone's obvious musicianship got lost FOR ME in the things about Page and Plant that drove me away from Zep's music. So even though I've been paying attention to them since my buddy Phil played the brand new Led Zepplin II record for me decades ago, I never knew what a great bassist Jones was. The annoying breathless affectation from Plant and then his banshee scream along with the stupid lyrics of "What Is and What Should Never Be" kept me from appreciating the great bass work there.
jte
Last response...
Off the top of my head there's Larry Carlton (who I think IS a competent guitarist). Find the Guitar Player Magazine interview from around 1987 where he is asked about Page. He says the only thing he ever found interesting was the solo on "Whole Lotta Love", until he found out it was all worked out before hand.
I stand by my paramters for a good song. A good SONG is one where the essence stands alone from the recording and a particular performance. "Sunshine of YOur Love" isn't a great song, "Here, There, and Everywhere" is. "Stairway To Heaven" isn't, "Behind Blue Eyes" is.
Too bad that it's so hard to discuss Zepplin without some people getting their panties in a wad. And it's sad that stuff detracts from the intelligent and reasoned interplay of ideas. I don't think Zep sucks at all. They're just not in my estimation as good as their reputation is.
TT (no FN for this thread)
jte
taken out of the context of the times,you could say that about hendrix too........i think that in the shadow of all the great players who have come along after,some of it does not hold up as well.....but when it came out,zep was truly groundbreaking,as was hendrix.......and most of it does stand up after four decades.......i believe the rep is as valid as ever.......now clapton ,on the other hand......i think is/was over ratedLast response...
Off the top of my head there's Larry Carlton (who I think IS a competent guitarist). Find the Guitar Player Magazine interview from around 1987 where he is asked about Page. He says the only thing he ever found interesting was the solo on "Whole Lotta Love", until he found out it was all worked out before hand.
I stand by my paramters for a good song. A good SONG is one where the essence stands alone from the recording and a particular performance. "Sunshine of YOur Love" isn't a great song, "Here, There, and Everywhere" is. "Stairway To Heaven" isn't, "Behind Blue Eyes" is.
Too bad that it's so hard to discuss Zepplin without some people getting their panties in a wad. And it's sad that stuff detracts from the intelligent and reasoned interplay of ideas. I don't think Zep sucks at all. They're just not in my estimation as good as their reputation is.
TT (no FN for this thread)
jte
i heard that.......Oh well, didn't see the thread going that way, but at least the consensus seems to be that JPJ is a great bass player, I'd even say underrated in the grand scheme of things.
Always liked Led Zep as a band but I've never really been that attentive to JPJ work as a bassist in that band. Don't know why, really, t'was just like that. Maybe because he never had that exuberant flashiness displayed by the other members?
Until I tried my hand at playing The Lemon Song. Wow. Serious groove in there, and no two bars played exactly alike throughout the song. A serious display of musicianship.
I must say, I'm not going to be so quick to dismiss any fellow bassist work from now on, keeping my ears open instead of going by assumption, I might just learn more this way.
Well, I know a lot of guitarist who put Page into the "Recognition deserving bigger talent" category.
Many fabulous songs? OK, give me some SONGS that have lyrics and music that both make sense and can stand alone from the production and performance. Can you reinterpret the song without having to play it just like the record and the song is still fabulous? That's what a SONG is- the essecne boiled down away from who played what.
jte
If all music satisfied everyone, there would be no need for different kinds of music.
wankery and sloppy guitar and a vocalist who sounds like he is having an orgasm on the mic