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New P Bass

Love how you can "see" the intonation. Great job. :meh:

If you've done as many setups as I have, you can see from the relative positions of saddles, whether a bass or guitar is intonated well or not. Indeed, a lot of guitars come with bridges where the saddles are fixed in relationship to each other - you can adjust each end of the bridge, but the positions of the strings relative to each other don't move. Acoustic guitars are often "frozen" w.r.t. string positions for intonation. The pattern of saddle positions in the picture of the OP's bass does not look like it's been intonated. If it is intonated with saddle positions like that, there might be either significant height differences in the strings, or you have strings on there that aren't from the same set, or something like that. It could also be that witness point haven't been set on one or more strings. If I did a setup on that bass, I'm reasonably sure I'd find one or more things that need tweaking, and after I fixed that, the saddles would end up in more "normal" positions.

If You watch Dave (Dave's world of fun stuff) he often sets the saddles on a bass or guitar before he sets it up - he's usually very close on setting up intonation by looks alone. Like him, I have that kind of experience.
 
If you've done as many setups as I have, you can see from the relative positions of saddles, whether a bass or guitar is intonated well or not. Indeed, a lot of guitars come with bridges where the saddles are fixed in relationship to each other - you can adjust each end of the bridge, but the positions of the strings relative to each other don't move. Acoustic guitars are often "frozen" w.r.t. string positions for intonation. The pattern of saddle positions in the picture of the OP's bass does not look like it's been intonated. If it is intonated with saddle positions like that, there might be either significant height differences in the strings, or you have strings on there that aren't from the same set, or something like that. It could also be that witness point haven't been set on one or more strings. If I did a setup on that bass, I'm reasonably sure I'd find one or more things that need tweaking, and after I fixed that, the saddles would end up in more "normal" positions.

If You watch Dave (Dave's world of fun stuff) he often sets the saddles on a bass or guitar before he sets it up - he's usually very close on setting up intonation by looks alone. Like him, I have that kind of experience.
I use Dunlop Super Bright Nickels, I set witness points, there are no significant height differences in strings, and they all come from the same set. Yet every set I have on a bass has intonation that looks similar to that.
 
I just finished building this P Bass (yes, from scratch).
Aguilar 60s Pick ups
Babicz FCH bridge
D Tuner

Swamp Ash Body with Myrtle Top
Birdseye Maple neck with carbon fiber rods and Birdseye fingerboard.

View attachment 3952776
Looks fabulous. Does it live up to your expectations sound-wise?
I just finished building this P Bass (yes, from scratch).
Aguilar 60s Pick ups
Babicz FCH bridge
D Tuner

Swamp Ash Body with Myrtle Top
Birdseye Maple neck with carbon fiber rods and Birdseye fingerboard.

View attachment 3952776
 
I'm the first to say a lovely piece of neck wood, yay. The whole package looks great, but my eye was immediately caught by that neck.

Love how you can "see" the intonation. Great job. :meh:
I probably haven't setup as many as micguy, but I get what's meant. HST, I've had one or two where I've started at the beginning and ended up with the G saddle at the same point as the D saddle. Not sure of having one fractionally behind like that, but certainly aligned. I wondered if I'd missed something (truth be told, perhaps I had) but that's how the cards fell and everything was as you'd like it.