Here's a quick clip with some dinky noodly riffs. It's not perfect, but hopefully it'll help.
The order for all of them is clean (Kallas/Warmoth Jag, Reeves C225, Greenboy Dually T, Heil PR40), B:Assmaster, B3n, B3n with additional processing. The last clip has a filter added to the end of the chain.
A few things I noticed. In addition to the High-mids ripping through with the B:Assmaster, it also adds a nice bump in the lower mids. I only tested the fuzz last night, without any of the clean blended in on either pedal, so I didn't notice that. I'd guess that this could be added with a PEQ, bumping the lo channel in the splitter, or just blending in more clean .
Recording direct I noticed that even with the HPF on the B3n, the Highs were still harsh, so I added an additional HPF around 3k in my DAW, but I'm sure it could be replicated in the B3n by some tweaking.
The B:Assmster really shines in the 3rd clip to me, which was an attempt to show that touch sensitivity and super clean gate. I haven't nailed that on the B3n
The filter (B3n Bass auto wah) at the end was mostly to goof off, but also to show that if you're adding another serious effect afterwards, the differences become less apparent.
Let me know if you have any questions!
Paul