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Noble Amps Preamp

IMHO? It's the way it feels. Think about A2D converters. Most digital gear have an A2D (analog to digital) converters. Most A2D converters have a "minimum threshold or resolution."

With the Noble, you tubes, The tubes produce a more natural curve. Further, when you hit the tubes hard, there is some sag and natural compression.

As a result, the way it responds to your playing is more nuanced and natural. It lets you articulate on your instrument better than all other digital gear.

Now, when you compare it to transistor based gear? I'm sure you've heard all the conversations comparing tube gear to solid state. It's pretty much the same argument here.

This of course is just one audiophiles opinion.

I absolutely feel the same way about amps and the way they respond.
yeah, you are right, that's why I want to keep on using tubes. And I'm more interested in material use than actually the circuit of a Noble.
 
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#2589 just arrived ! Lovely
IMG_6785.jpg
 
Can anyone describe the theory behind Noble's "low cut" switch?

My manual from 2016 says "Low cut switch drops 6dB/octave below 150Hz." Jack told me this was an error, the number should be 90Hz.

As I understand it, 6dB/octave is a straight linear curve down to the lowest frequency (but could be wrong!). The 90Hz point is way to high for a typical High Pass Filter for bass guitar, and HPFs usually have at least a 12dB/octave curve if not 24dB.

So what is the operational point of the Noble's low cut switch? If you have an HPF, should the low cut switch be left off? Used in tandem with the HPF?

Insights welcome!
 
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I pinged Jack and will relay his response. An HPF affects the frequencies differently than the Low Bass shelving control. The latter essentially lowers a broad section of low frequencies with a shallow slope. The HPF lowers only a small section of lower frequencies below its knee with a steeper slope. Counter intuitive, but by doing that the HPF removes the LF "junk" noise and can actually boost the rest of the bass signal if desired for a clearer and louder signal. Just trying to understand Noble's Low Cut control with more precision.
 
That info has been known for a long time. Demonstrated and measured many times.

Not trying to be “mean,” just trying to point out that the info you seek has been known for quite some time.

I want to understand how Jack's LC relates to my HPF. Use mine and not his? If I use both, how do they sonically interact? That's all. The manual doesn't say anything about use cases for his LC.
 
I want to understand how Jack's LC relates to my HPF. Use mine and not his? If I use both, how do they sonically interact? That's all. The manual doesn't say anything about use cases for his LC.

The answer to this is as individual as the player. It depends so much on the the player, the bass, the amp...

There is also a large number of players that don't use a high pass filter.

This is just one of those things that you will have to work out yourself.
 
I understand the difference between a HPF and a shelving filter, and my one complaint about the Noble - if you can call it a complaint - is that the HPF is fixed at a higher point than I would have liked. If I were able to change it, I would set it at 80hz, which is the frequency I most often ask FOH soundmen to roll off my DI feed in live situations. It’s a frequency I understand how to deal with because so many sound boards have a HPF set there.

However, lacking that feature, I have still had good results just leaving that switch off and mitigating the excess bass further down the chain.
 
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Can anyone describe the theory behind Noble's "low cut" switch?

My manual from 2016 says "Low cut switch drops 6dB/octave below 150Hz." Jack told me this was an error, the number should be 90Hz.

As I understand it, 6dB/octave is a straight linear curve down to the lowest frequency (but could be wrong!). The 90Hz point is way to high for a typical High Pass Filter for bass guitar, and HPFs usually have at least a 12dB/octave curve if not 24dB.

So what is the operational point of the Noble's low cut switch? If you have an HPF, should the low cut switch be left off? Used in tandem with the HPF?

Insights welcome!
I sent my Noble to Jack and he moved the HPF as low as he was willing to go, I think it ended up around 60hz. I utilized it with the bass boost a lot in my old setup.