• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Noble Amps Preamp

My most frequent setting is HPF engaged, bass at 2 o'clock and treble at 10 o'clock. Live and at home.
It's amazing how far you can turn up the treble and still get a smooth tone without getting too brittle. I mostly have the HPF engaged unless I am playing at low volume.
 
I picked up a Broughton HPF/LPF box because I like what the Noble does to the lows and like what the Markbass VLE control does to highs. If I'm going thru the Noble the Broughton box is not needed. The Broughton is variable for both highs and lows vs a switch, but the rolloff is more gradual in the Noble - more natural sounding.
 
  • Like
Reactions: ExaltBass
It's amazing how far you can turn up the treble and still get a smooth tone without getting too brittle. I mostly have the HPF engaged unless I am playing at low volume.

Yeah exactly. I keep my knobs at around 9 or 10 and never really change. That goes for Pbass, Stingray, Cirrus..whatever. Whats cool is with an active bass, you can keep the onboard EQ tweaks real subtle. Every big boost on an active bass either takes away mids or gets boxy..etc. I find that a small chain of conservative EQing (bass and noble) results in a much bigger sound that is very crisp and still very warm. To me the foundation of a great bass tone is nice round, warm lows with defined midrange and crisp highs that are not harsh.

My stingray sounds real burpy and punchy because I barely boost the EQ, I just keep everything in the middle with slight tweaks. On a 2 band stingray, that's the way to get a great warm tone without brittle highs and a scoopy sound. I then have the Noble EQ with that little boost to highs and lows, which replaces me having to do it on the bass preamp.
 
I'm mainly playing a Fender American Deluxe Jazz 5 w/onboard Sadowski preamp in front of the Noble. I'm preferring to dial back the Sadowski's treble to about 10-20% on and rely more on Noble's treble, which sounds a bit richer and more natural. But the Sadowski pre's bass signal boosted to about 50% with the Noble's bass boosted to same or even higher sound terrific together -- especially with the HPF engaged. It's funny how a few years ago everything (for me) was about the lower mids. Lower mids, lower mids, lower mids. Ridiculous obsession. And now I don't even have a lower mid adjuster - nor do I miss it!
 
Fresh from rehearsal...

Wren & Cuff Suppa Phat Phuk >>
Dunwich Volt Thrower/ODB mod >>
Bearfoot Blueberry >>
Broughton HPF/LPF >>
Noble preamp/DI

The Noble doesn't absolutely need the LPF but I like the ability to adjust on the fly and the added gain comes in handy. I'm into the Noble as much as I was the first time I plugged into it. It's not just for "clean" P bass and flats players!
 

Attachments

  • IMG_7286.JPG
    IMG_7286.JPG
    582.8 KB · Views: 149
Last edited:
Fresh from rehearsal...

Wren & Cuff Suppa Phat Phuk >>
Dunwich Volt Thrower/ODB mod >>
Bearfoot Blueberry >>
Broughton HPF/LPF >>
Noble preamp/DI

The Noble doesn't absolutely need the LPF but I like the ability to adjust on the fly and the added gain comes in handy. I'm into the Noble as much as I was the first time I plugged into it. It's not just for "clean" P bass and flats players!

I'm really wanting to try a Wren and Cuff...
I did get a Southampton 5th gear off the classifieds... came in yesterday, just haven't gotten to try it yet
 
Are you guys always using the HPF live too? I've always just left it off.

I made my own 50Hz HPF. I don't care for an 80Hz roll off that comes with most amps or boards. I use it before my D.I. and amp to control how tight my low end is at higher volumes. I can still turn up the bass knob on the amp for tone control. At lower live volumes it wouldn't be needed but I still use it.
 
  • Like
Reactions: ExaltBass
So used the Noble on Sunday in church with a boost in front. I use it as a reverse boost in that I turn it off for quieter passages as opposed to boosting for louder ones. I noticed the noble sounded a bit more grrrrrr with the boost in front and flatter when I had it off. It may just be the volume drop but I felt it was more harmonically rich with the hotter input. Obviously tubes are involved but there was no perceivable break up and the boost wasn't massive. I will do some more experimenting but wondered if any others had done the same or similar.
 
Why so much space between the pedals?

The volume pedal is slimmer than most so need foot room. Also need room to reach my finger between the Noble and the Cali76 along with the 18V cable that has a circuit board. Just below the Cali76 is cable path for power, signal, and top connectors.

Here's a better shot
 

Attachments

  • IMG_4841.JPG
    IMG_4841.JPG
    789.8 KB · Views: 59
So used the Noble on Sunday in church with a boost in front. I use it as a reverse boost in that I turn it off for quieter passages as opposed to boosting for louder ones. I noticed the noble sounded a bit more grrrrrr with the boost in front and flatter when I had it off. It may just be the volume drop but I felt it was more harmonically rich with the hotter input. Obviously tubes are involved but there was no perceivable break up and the boost wasn't massive. I will do some more experimenting but wondered if any others had done the same or similar.

I have sent a hot signal to the box mostly to mess around and see what kind of tube breakup it would deliver, but my normal approach is to play it clean.