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Official Orange Club II

If you are happy with it I say stick with it. A lot of people love the older Terror amps. Just curious since I'm cabinet shopping at the moment, what are you running it through?

Normally will run my BT1000 through two of the older SP-212s but also have used it with Aguilar Gs212 and 112 as well as a pair of Ampeg SVT 210AVs. It really seems to be my go to head in most situations.
 

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Hiho,I have the old terror 500 and use SP212 and OBC115.
My go to is the OBC115 it is an amazing cab.I have used 0BC410 as well as AD200,OB1,4 stroke but not the new terror.SP212 is a great cab as well.
I have used my terror for 5 1/2 years now ,no complaints and the DI works a treat.
The OBC115 is a fabulous cab it just sounds right with my terror head but the SP212 is handy if space is a premium and it sounds a lot bigger than you would think.
 
It's here!!! My initial thoughts with the first 10 minutes of playthrough on my jazz bass and single coil p bass:

It's got serious low-end. more than my genzler that I just sold .it may be my cab too, it tends to be on the "boomier" side of things .one thing I did notice is that the mid controls seem affect all of the others. That, or its more of a low-mid control. I notice when I had the mids around 3 o clock, the bass knob seemed to change it characteristicas than it does when mids are set to noon .

I'm loving the tone of this amp though. It sounds very organic and doesn't color my sound too much. I may add a slight overdrive in front to dirty it up though. I have the gain set at 11 o clock and the volume at 9, and it's pretty clean sounding, but has a great vintage style tone. I'm really loving it! Exactly the tone I was going after. It loves my pedals too! Especially the darkglass x7 and my germanium fuzz .



UPDATE: Decided to try my genzler 1x12 that im selling, and its significantly less boomy, so that definitely leaves the 2x12 to cause the boominess, not the Terror bass. I might try an isolation pad to set the cab on to help with the room vibrations. Maybe even a high pass filter so I can tweak it based in the room.

I really am loving this amp. I can't wait to hear it in a band setting (once I find a new band to play with)
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The TB controls are based on the AD200B. with the controls at noon, it gives you not a flat curve but one with a mid dip.
I read an article in a german magazine with the exact measurements, if I am procrastinating enough, I might look the article up in my pile of "Zeitschriften".
 
Hiho the old terror flat setting was bass-9oclock,middle-12oclock,treble-12oclock can,t remember the frequency points but this the setting I use.They love a pedal in front of them.I use a BDI21 all the time even when ampless straight into the board.
Never read that anywhere. In fact, when Bass Gear Mag reviewed the original TB500 many years back, the graphs of flat response they published were using: (The original TB1000 would be the same)

50Hz - bass - min
650Hz - mid - max
4kHz - treb - min
 
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I see at least two main benefits. If one plugs in or unplugs a standard 1/4" to either the head or cab, the output is shorted together for a moment, presenting a 0 ohm load to the amp. Since the cable doesn't lock, it's possible that one could trip over the wire, yanking out the cable. This is especially dangerous if the amp is on.

Second, there is a possibility that one may inadvertently use a guitar patch cable to connect speakers to the amp. The comparatively thin gauge of the center conductor in a patch cable may cause excessive resistance between the head and speaker, reducing output, with the potential of excessive heating of the cable, especially with high powered heads.

I prefer SpeakOn connectors, and am annoyed when amp manufactures do not provide that option on their amps and cabs (Ampeg Micro VR stack - I'm looking at you!).
Also, more contact area with the Speakon, beneficial and recommended when running over, say, 400 watts. :)
 

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