Yeah, I have an old V4B that is all fresh, new tubes, recapped, and in great cosmetic shape, and I finally (after waiting for my band maté's previous bass player from a different band to get his gear out of the space), got to bring it to the studio with the B40 4x10, which is also 27" wide. I was massively disappointed with it, which is what put me on the hunt for more power, hence the AD200. The one thing I didn't do is bring the 212AV to the studio to try it with the V4B. It may have been all I need, however, this is trivial to most, but the 27" head on top of the 24" cabinet would always bug me.
I guess I'm glad it worked out this way, since I now have the Orange! Now I just need to get a fair price for the V4B. I've had an offer for $800, and as much as I want to recoup my money from the purchase of the Orange, I just can't let it go for that, esp since it's probably the best vintage V4B anyone could find.
Not to mention that I have a '73 V4 (not B) that has been converted to 6550's and that I run with a V4 cab loaded with 4 Eminence BP122's. This has been my live rig for a while and although I have to push it right up to the edge, it works really well in the venue's (small bars, no FOH for bass) we play. Just the right amount of tight low end and good solid mids that cut through the 2 guitars and drums. I'm really hoping, when I finally get the OBC115, that it will give similar results, albeit, different from the Ampeg.
I guess I'm glad it worked out this way, since I now have the Orange! Now I just need to get a fair price for the V4B. I've had an offer for $800, and as much as I want to recoup my money from the purchase of the Orange, I just can't let it go for that, esp since it's probably the best vintage V4B anyone could find.
Not to mention that I have a '73 V4 (not B) that has been converted to 6550's and that I run with a V4 cab loaded with 4 Eminence BP122's. This has been my live rig for a while and although I have to push it right up to the edge, it works really well in the venue's (small bars, no FOH for bass) we play. Just the right amount of tight low end and good solid mids that cut through the 2 guitars and drums. I'm really hoping, when I finally get the OBC115, that it will give similar results, albeit, different from the Ampeg.
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