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Official Wren And Cuff Club

Quick question, awhile ago a friend offered me the silver Phat Phuk for a non bass related thing but I passed cause I couldn't find any info on it on bass.

I'm still curious about it though tbh, has anyone tried it with bass or the Mercy Phuk?
 
By far my most favorite pedals on my board... sign me up any day of the week!
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Quick question, awhile ago a friend offered me the silver Phat Phuk for a non bass related thing but I passed cause I couldn't find any info on it on bass.

I'm still curious about it though tbh, has anyone tried it with bass or the Mercy Phuk?

I haven't tried the regular Phat Phuk but I have the Mercy Phuk. I posted my thoughts a few pages back in this thread on the Mercy, it's not a warm up type of drive that's for sure.

By far my most favorite pedals on my board... sign me up any day of the week!
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Awesome! Two of my fav W&C's.

W&C posted this quick video



Crazy settings! Major scooped on the EQ and Id never run the volume that high and max the gain. :jawdrop:

Not a really good representation of the pedal on bass IMO
 
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Who here has played a Gold Comp... really curious to know someones thoughts on it and how it would stack up against the Pulp N' Peel V4 I've been using... I really loved my Barber Tone Press and am thinking of going back, but am curious about the Gold Comp... thoughts? Opinions?
 
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Who here has played a Gold Comp... really curious to know someones thoughts on it and how it would stack up against the Pulp N' Peel V4 I've been using... I really loved my Barber Tone Press and am thinking of going back, but am curious about the Gold Comp... thoughts? Opinions?

Here are some thoughts on the Gold Comp> Wren & Cuff Gold Comp love story

Most folks want Matt/W&C to release the Bass Gold Comp version. Last year I asked about it and was told: "it was on the backburner."

Here is a YT clip from last years NAMM 17.

Bass Gold Comp starts at 4:20

 
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Here are some thoughts on the Gold Comp> Wren & Cuff Gold Comp love story

Most folks want Matt/W&C to release the Bass Gold Comp version. Last year I asked about it and was told: "it was on the backburner."

Here is a YT clip from last years NAMM 17.

Bass Gold Comp starts at 4:20



Awesome! Great info!

Atlanta has a lot of boutique shops, but nobody has one to demo. As a side note... I ended up pulling the trigger on a used PPHF that I found used at GC. I had one before but never was able to compare to the TFR. The difference is notable, and I swear the one I had before didn't sound as good as this one. I get a really killer synth tone with the Phat Phuk, octave and envelope. May try to load a video. I think it is staying on the board and my Mothership 2 is going bye-bye :)
 
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View attachment 2909952

Awesome! Great info!

Atlanta has a lot of boutique shops, but nobody has one to demo. As a side note... I ended up pulling the trigger on a used PPHF that I found used at GC. I had one before but never was able to compare to the TFR. The difference is notable, and I swear the one I had before didn't sound as good as this one. I get a really killer synth tone with the Phat Phuk, octave and envelope. May try to load a video. I think it is staying on the board and my Mothership 2 is going bye-bye :)

Awesome board! I think the Gold Comp would be a great addition to your board.

The Hella Fuzz I own is hard to pinpoint sonically. I have had many different styles of fuzz pedals and I swear I hear some fuzz face transistor bite (when I turn up the shape knob), as well as a superfuzz octave up feel when I play on the upper end of the fretboard. I also think that the PPHFs seem to be the less consistent pedals of the W&C line so not surprised if you found a better sounding one.
 
Awesome board! I think the Gold Comp would be a great addition to your board.

The Hella Fuzz I own is hard to pinpoint sonically. I have had many different styles of fuzz pedals and I swear I hear some fuzz face transistor bite (when I turn up the shape knob), as well as a superfuzz octave up feel when I play on the upper end of the fretboard. I also think that the PPHFs seem to be the less consistent pedals of the W&C line so not surprised if you found a better sounding one.

Agreed on the fuzz face transistor! I hear the same. I feel bad that I was so hyper critical of the first PPHF I had, but I'm glad I'm not crazy in thinking it's a pedal to pedal variant in tone.
 
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Has anyone noticed with their TFR, if you have any other pedal turned on after it (say a Phaser, or an OD, or a filter) that TFR has a volume bump? Is that normal? Now that happens if my last pedal in chain is true bypass. If I don't have a buffer at the end of the chain, my TFR has a much lower volume by itself, if there's a buffer at the end, TFR is louder and I can stack it with other pedals. Not sure if my TFR has gone bad or if this is normal. If it's normal though, it kind of sucks that you NEED to have a buffer at the end of the chain for you to be able to stack TFR with other pedals after it and have it at unity gain.
 
Has anyone noticed with their TFR, if you have any other pedal turned on after it (say a Phaser, or an OD, or a filter) that TFR has a volume bump? Is that normal? Now that happens if my last pedal in chain is true bypass. If I don't have a buffer at the end of the chain, my TFR has a much lower volume by itself, if there's a buffer at the end, TFR is louder and I can stack it with other pedals. Not sure if my TFR has gone bad or if this is normal. If it's normal though, it kind of sucks that you NEED to have a buffer at the end of the chain for you to be able to stack TFR with other pedals after it and have it at unity gain.

So does the TFR noticeably drop in volume when you engage it regardless of whether or not the pedals after it are engaged (i.e. true bypass pedals)?

Just asking, because I recently experienced this when switching around some pedals on my board. My MBD-1 has no mechanical issues, but feeding certain pedals into it required a buffered bypass pedal after it to keep it from have a volume drop and phasing noise issue when engaged. I tested it with my Wonderlove after, which can be switched from TBP to buffered. When I switched the wonderlove to buffered bypass, this volume drop stopped happening - this was without actually engaging the WL after. I think this may be a quirk with certain high gain pedals picking up or accentuating ground loop issues, but I may be misunderstanding that...
 
So does the TFR noticeably drop in volume when you engage it regardless of whether or not the pedals after it are engaged (i.e. true bypass pedals)?

Just asking, because I recently experienced this when switching around some pedals on my board. My MBD-1 has no mechanical issues, but feeding certain pedals into it required a buffered bypass pedal after it to keep it from have a volume drop and phasing noise issue when engaged. I tested it with my Wonderlove after, which can be switched from TBP to buffered. When I switched the wonderlove to buffered bypass, this volume drop stopped happening - this was without actually engaging the WL after. I think this may be a quirk with certain high gain pedals picking up or accentuating ground loop issues, but I may be misunderstanding that...

Here's some further testing:

I had these issues when plugging in my bass/pedalboard into my sound card and using a VST/Asio drivers. It's just a Sound Blaster Audigy card and I was plugging into "line in". Anyways, TFR had a volume drop when anything after TFR wasn't engaged and unless my last pedal in chain was buffered. If I engaged any pedal after TFR, there would be a volume boost (normal volume I suppose) with TFR (all of this with TFR on, of course). If my last pedal was buffered, TFR's volume would be normal - boosted.

I just came from band practice where I wanted to test this going into the amp. I set my Nemesis to true bypass. No problems what so ever - TFR's volume wasn't dropped anymore.

I think this might be an impedance mismatch using my sound card? I know I know, I need to get a solid sound card/interface for using at home instead of using just a regular Sound Blaster. I also had some weird issues with my Nemesis Delay when using at home with my sound card where the signal would drop radically unless I first engaged the Nemesis. After that, I could turn it off again and it would be fine.

So, I guess my sound card isn't really made to take all of my 9 effects? xD
 
Im really impressed with the Two Five Drive. So much fun to stack with, really hits the signal with so much.. strength .. (I think that's the description I'm looking for) I'm in love with the gain character of the MOSFET/Germanium hybrid clipping as well as the mids EQ.

Here's a gut shot.

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I got drive #5!


You still real high on this one? I've toyed with getting one but I have exactly zero need for any type of dirt... Or really anything lol
 
You still real high on this one? I've toyed with getting one but I have exactly zero need for any type of dirt... Or really anything lol

Yup, its fun. It has so much power for a regular 9-volt pedal. I personally like stacking it into other pedals or hitting the front end of amps with it.
Gotta pedal that seems kind of dull... hit it with the Two Five drive and see what happens.
 
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Has anyone had a chance to get their hands on the White Elk?
I've seen a few posts on TB but no real review or comparison to other muff styled fuzzes. The W&C site says it has more mids than most muffs as well as "uneven" low-end. Not sure if that puts it closer to the TFR or Tri-Pie style.
I originally wanted to get a TFR again, but if this gets me close to that with a bit of a different character, it might make for a solid purchase.
 
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