Juna is certainly a helluva player, but I'm even more impressed by the drummer. That young lady has some serious skills!
Same here, masterful tasteful dynamic swing.
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Juna is certainly a helluva player, but I'm even more impressed by the drummer. That young lady has some serious skills!
Yowser! and how funky is the three string fretless long neck guitar like instrument?
Slap - ugh.![]()
Nice playing and an interesting mash-up of traditional and modern instruments.
This kind of thing seems to be fairly common in Japan, a place that has a history of combining musical forms and genres from around the world. In the '80's, the Japanese pop charts were filled with songs that went from what we would call heavy metal to country to jazz ballad in a single stanza. I've seen many a jazz combo that features a koto with piano, bass, and drums. These things are tonally related to a guitar with their own unique forms of expression, so the combination seems to work pretty well. Shamisen, imo, not quite as much. It's a pretty quiet instrument that as others put it, sounds like banjo and is traditionally not played with such rapid passages. But it's similar to using a banjo in the same context. I admire the skill of the player, but I think the enormous density of the horns in the original really carries this tune.
I was previously familiar with Serita primarily because she makes videos and she's a decent player. FWIW, there are a lot of really great musicians in Japan. As a country, they have a generally high level of appreciation for music. It's also the first place that I ever heard of "pay to play"...so it can't be easy to be a pro there. Whatever it takes...
I have no idea if this is considered K pop but I like it. Crazy costumes aside, they sound good. Nice bass solo and that drummer...
Band Maid is Japanese, so would be categorized under J-rock. Their debut song is still their best IMO:
Also, where did she get that guard??? Want!
Saw this somewhat recently. She is a very solid bassist. The question was asked if we'd be just as impressed if this was a guy. My answer is I am always impressed by solid play. Most of the not solid bass players are guys. So....
Just curious, how much K-pop have you actually heard? Most people who dislike K-pop have never even scratched its surface and only knows the big viral hits, and they tend to be the ones that pleases the lowest common denominator and are in no way representative of all of Korean music.
Here's a playlist I just put together, full of Korean pop/indie songs that span in many different styles, including influences from metal, jazz, funk, R&B, soul, hip-hop, classical, etc.
It's likely you have never heard any of those songs, and they showcase a side of K-pop that most people never have heard of, because they think k-pop is just BTS and BlackPink and Psy's "Gangnam Style." Give them a try--maybe you'll find something you like, or even can respect and admire the artistry and musicianship displayed in them.
IMO, K-pop currently has objectively on average the most sophisticated and advanced musicality among all the mainstream pop music around the world, because the people behind the movement incorporate a lot of complex harmonic and melodic language that's very uncommon in typical pop music you'd hear elsewhere (with Japan being one of the exceptions). Western mainstream pop used to have that level of musicality, but with hip-hop having dominated and influenced western mainstream pop, the trend in songwriting has become much more stripped down and simplistic.
Yeah here in the states, Mr.Big is just another band. Those guys couldn't walk down the street in Japan. Billy Sheehan has Yamaha bass commercial on TV! They love music on a different level.
Nice playing and an interesting mash-up of traditional and modern instruments.
This kind of thing seems to be fairly common in Japan, a place that has a history of combining musical forms and genres from around the world. In the '80's, the Japanese pop charts were filled with songs that went from what we would call heavy metal to country to jazz ballad in a single stanza. I've seen many a jazz combo that features a koto with piano, bass, and drums. These things are tonally related to a guitar with their own unique forms of expression, so the combination seems to work pretty well. Shamisen, imo, not quite as much. It's a pretty quiet instrument that as others put it, sounds like banjo and is traditionally not played with such rapid passages. But it's similar to using a banjo in the same context. I admire the skill of the player, but I think the enormous density of the horns in the original really carries this tune.
I was previously familiar with Serita primarily because she makes videos and she's a decent player. FWIW, there are a lot of really great musicians in Japan. As a country, they have a generally high level of appreciation for music. It's also the first place that I ever heard of "pay to play"...so it can't be easy to be a pro there. Whatever it takes...
