If you're selling for financial reasons, sell the one that will net you the most money, barring irreplacibility. (barring financial straights being really dire, then do it anyway.)
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
You guys aren't making it easy!
I think those that have mentioned that based on what I said in my OP, I have some biases to certain basses so let me murk that up
The Warwick I actually sold about 6 years ago and was the only instrument/bit of gear I ever regretted selling. I had the good fortune to be able to a) buy it back and b) buy it back for what I sold it for but with a way better preamp config (MEC replaced by an ACG Filter Preamp). It's got war wounds that only I can explain. It sounds great, and plays wonderfully well although I can't quite get the action low enough for my playing now. No one loves the shape but I'm used to apologising for itIn the set I like that it can cop P tones really nicely but still sits between the Jazz and the P
The P Bass has been my number one for the past 6 years - the second best I've ever played (the very best one the guy would not part with for any money). Done a lot of gigs on this one – lowest action of any bass I've played, just sounds like a quintessential P, and always works without trying. It's got mojo and although I don't have much to say about it tonally – it just sounds like a great P bass but then I tend to think the P bass formula isn't hard to get right.
The Jazz was a punt – it came up for VERY cheap locally with bad photos and what looked like neck cracking. Turned out the cracks were only lacquer deep, and was a superb playing bass. One of the few instruments I haven't mucked around with pickups or electronics – I tried an Audere Pre and Nordstrand NJ4SV's but they didn't add much so I went back to stock. Only thing I changed on the bass at all was the bridge due to the saddles spreading apart when I played.
Stingray is the newest - always adore the Stingray neck which seems the sweet spot between J and P necks. I have a more mercurial relationship with Stingray tone – some days it is impossible to imagine any tone sounding better, others it sounds like you're kicking a wet cardboard box. It's the most affected by other sounds in the mix, where the P will just do its thing. It can be magnificent or terrible. That's based on the 3 band EQ though - 2 band EQ's have always been where it's at for me.
TL;DR
Warwick – Sentimentality + Versatility
P Bass - Effortless + Mojo
Jazz - Best player + Rarity of awesome
Stingray - Best of all noise...when it's in the right mix
Right now based on replies I'm probably leaning either P bass because Warwick covers it OR Warwick goes because it's ugly and doesn't have it's own definite tonal space
So I'm in the tricky situation of having 4 stellar basses and I need to let one go to clear some debts.
So here are the contenders
USA American Standard Precision 2008 (Maple neck, Sunburst body)
USA AVRI 75 Jazz (Maple neck, Natural body)
USA EBMM ’97 Stingray (Maple neck, Black body, 3 band)
German ’97 Warwick Streamer LX4 (Wenge, Maple, PJ, ACG Pre)
Streamer I’ve done the most miles on, being my first “proper” bass
P Bass I spent a while being picky and bought it new
Jazz plays outrageously well and is the best sounding Jazz I’ve heard
EBMM I love the neck and the punchy tone
I play contemporary worship, post-rock, post-metal, and funk through an IEM setup using a Aguilar Tonehammer.
So which bass would you let fly free?
The OP has also replied saying that the P is the current number one, so that's a big mark against ditching it.I never thought I’d say this, but ditch the P. All you said was that you were particular and bought it new. Jazz has great playability, MM has great tone, Warwick you play the most.