I dabble.
The only cabs I build are prototypes of new designs, for the purpose of figuring out the best method to construct them, and to measure their performance to be sure that they deserve to be offered.
Any neo's?
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I dabble.
The only cabs I build are prototypes of new designs, for the purpose of figuring out the best method to construct them, and to measure their performance to be sure that they deserve to be offered.
I'll lay bucks that pretty much any high end 2x12 will outperform the Orange SP410 for less up until you're using >400 watts, as well.
Well what about when you need more than
that...like for a big places 2-3k seaters...I know I use in-ears..but some times you need more...you know?
For the 2500 bucks of two Orange SP210s (one will NOT cut it) you could get a GK or Mesa 4x12 or a high end neo 8x10, and have enough money left to buy your wife some diamonds so she doesn't dump your arse for spending 2500 bucks on bass cabs.
Oh, and the high end neo 8x10 or 4x12 will crush the SP210s in volume![]()
Why are you compaing a 4x12 or 8x10 to a sp210? Of course it will kill it. It's only 2 10' speakers.
Why are you compaing a 4x12 or 8x10 to a sp210? Of course it will kill it. It's only 2 10' speakers.
Sorry, I meant the SP410. It's confusing because it's the size of a 2x10.
A 4x12 will be as loud as two SP410s roughly, at 1000 bucks less and about the same weight.
Gotcha.
I'm still curious as to how these sound though. I wonder why they didn't make a "1x15" cab
At that size of a venue, your cabs are just for show, especially if you're using in-ears, so your point is moot IMO.
My in-ears have ambient hearing so at larger shows I can crank my rig a little louder and not get in trouble by the FOH guy.. ya know
Right but no one is hearing it but you. Your sound in the FOH, unless you are micing both the front firing speakers and capturing the extended low end from the porting of the isobaric speakers, is going to be from your DI/mic feed, meaning the cabs are just a stage monitor. And to that end, they're even less of a stage monitor because you're sending a feed to the in-ears. At that point, these cabs make even less sense because you'll have diminished stage volume for the same power.
No i was referring to the isobaric styling.