Originally posted by Rob W
Okay, so being a rock bass player, part of your job is also being a composer (or arranger) of sorts.
Let me tell you a little story. I spend most of my time these days playing orchestral double bass, so I spend a lot of time playing some of the greatest bass parts ever written by the greatest composers - Beethoven, Mozart, Puccini, Verdi, Shostakovich, etc... Do you realize that there are a lot of times I'm sitting there counting A LOT of bars rest. Why? Because the great composers know that the bass doesn't have to be playing every second of every piece. Furthermore, many have used the bass to great effect by leaving it out for long stretches so that when it does come back in, the effect is that much more powerful.
Well, that's exactly what Cliff Williams is doing. Those songs where he doesn't play all the time, are some of the AC/DC songs that I really like, 'cause when the bass does come in, it's gives the whole band that extra lift over the edge. It's very well planned IMO. Just like Shostakovich would have done it.
Cliff's use of pedal tones (holding one while the chords change over top) as mentioned by someone else earier, is a very old, time honoured compositional technique that goes back hundreds of years to before Bach's time and has been used by every great composer since. It creates this great tension in the music and when it is finally released, the effect is fantastic.
IMO Cliff Williams is one of the few rock bass players who really has the message that he is not the focal point of the universe. He understands the music and does a top notch job of supporting and puncuating the music of AC/DC with exactly what it needs.
If you ask me, Cliff plays a heck of a lot more WITH the band than just about anybody. He's looking at the big picture and is giving the band's sound exactly what it needs. There's a guy who's secure with himself and doesn't play notes 'beacuse he can' or because he needs to write especially clever lines to earn his keep, or impress everybody in the audience or other bass players. He looks at what the music needs and doesn't add stuff that doesn't belong there just to satisfy his ego.