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Post Your Boutique D.I. Here

I sometimes use my GT Vipre. It has a few tubes in it. First two pics aren't mine, but they're better pics.

Has 8 tubes in it.

  • 6922 (6DJ8)(4): preamplification, rise time circuitry
  • 12AT7 (1): output driver
  • GT6205 (1): Instrument Input preamp tube
  • 6AQ5 (2): Class A push/pull output

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I've had crummy results from several spendy DIs that weren't worth a penny... most notably Radial stuff. Tried a Pro48 on bass... was very disappointed as the thing simply would not pass a signal. And then the Pro2D I used for backing tracks became unreliable... having developed an incorrigible ground loop. I'm waiting for the other shoe to drop on the ProDI I use for keyboard. Plus, all the Radials are super heavy.

So, needless to say, I'm no Radial fanboi. Since the ground loop ordeal with the ProD2, I've been using Mackie MDB-2P boxes for backing tracks... sound good plus cheap & reliable... so I can carry multiple backups to the gig without breaking the bank or my back. I expect it won't be long until the ProD2 I'm using on keys goes toes-up, when it does I'll probably just use one of the Mackie boxes instead.

On bass, I've been a long-time user of the BDDI2 with no gripes.

I also have a Pinstripe DISO+ box I'm intending to use when I build my next Helix rig. The DISO+ box isn't a DI, it's a "dual-line isolator". Pinstripe claims:

"If you are using FX DSP simulation/load boxes such as the iK Tonex, UA Ruby/Dream/Woodrow, Strymon Iridium, Line 6 HX Stomp, Boss IR-200/IR-2, Walrus ACS1, Line 6 HX Effects and are interfacing them in a live situation, you shouldn’t be using a direct box (for impedance matching) but should be using a 'line isolator' . These simulators have outputs on ¼ inch connectors but no way to ground lift in the event of ground loop noise. A line isolator won’t drop your signal level like a direct box will, but will maintain the line level while giving the ability to ground lift and eliminate noise when running your guitar signal to the main PA. In addition, transformer isolation insures that phantom power from the console never touches the outputs of your FX pedal."

We shall see.
I am interested in the pinstripe options as well… I have a HX One and I leave the DSP on for the noise gate. Wondering if a line isolator is the right thing?

Would like to hear how it works with your rig
 
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I bought both the Khan and Noble planning to A/B them and sell one off. While the Noble has become my main gigging DI I can’t get myself to get rid of the Khan. When I see rad products like the Capo or Neve or other cool DI’s posted here, (most at a lower price point) I actually have no desire to try them out. Which is weird to me because I usually want to try anything and everything out there. But these two have cured any GAS for DI my needs. They both sound so GOOD.
 
Post a picture of the D.I. you use!

I see a lot of boutique D.I. boxes out there. Hard to decide. I would love a list of high end D.I.s that are actually worth the money.

I am thinking mainly of boxes devoted to being a great D.I. (tube / transformer) not so much Swiss army knife pre-amp pedals. (i.e. not the walrus Badwater)
I use the Eden WTDI and have for many years now. I use it to make just about any backline amp sound like one of my Eden or DNA amps. I also use it to go direct to an FOH sound board where they don't want any amps on stage. And finally, I used it at a pro-studio in Seattle for a 3-hour session in 2019 because they were getting too much bleed over of the bass and the drums. The sound engineer and the owner of the studio had me listen to my sound on the raw tapes, and I said, "sounds like I have a little more bass EQ than I normally run, but it's tight and clear and everything sounds great!" The sound engineer answered, "that is exactly the signal you sent to us. I made no EQ adjustments at all and I haven't added any compression either. All I did was adjust the level. What are you using to get that great sound?" So I showed them my WTDI

The WTDI is a stompbox DI with a built-in Eden WT preamp. I run it flat with the exception of boosting the low-mids at 500Hz to 1:30 on the dial. Everything else is flat; I don't run any compression on it; and the Enhance (shape control) is all the way off. It basically uses the same controls and adjustable compressor that is found on the Eden WT 330/390/405 amps. I'm using an '82 Jazz with an all-maple neck and 70's pickup spacing (4" center to center). It has a little brighter sound than my '65 Jazz had (was stolen from me in 1976) and has a LOT more sustain than my '65 did.

It's the best $149 I've ever spent on musical gear and saved me a couple of times when I was told to leave my amp and use the venues backline only to find they didn't have a bass amp when I got there. Plugged it into the PA and played all night just fine like that. Last street price I saw on them was $179 new but Eden hasn't seemed to be putting anything out for the last 2-years. They still show up on Reverb and E-bay though. Lowest price I've seen was $99 and most expensive was $179 for them used. It also comes with its own 15-watt power supply although 18-watt ones also work with it.

If you're looking for clean, clear, and articulate sound, plus a one-knob adjustable compressor that will add a little sustain to as much compression to make it sound like a Farfisa organ, it's a great choice. It also has that Eden warmth to the sound even though it doesn't use a tube. It has a "Golden Ear" chip (THAT-4301) that among other things adds tube emulation wonderfully well, so it really does sound like I'm using my big Eden amp with the Hybrid preamp...just has great sound!

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I've used a lot of DIs, including the Khan, a huge number of passive DIs with Jensen and other transformers (including a quad DI I built with Reichenbach transformers), Grace Design preamps (Felix, Bix, and M103, which had some of the best low end I've heard out of a DI), outputs from amps (love the Genzler Magellan and Kinetix DIs!), preamps, including Alembic F-1X and the very rare IN-2 (classic UTC transformers) with an F-2B front end, but one I used recently that I really loved is the new Grace Design M303. I played a show at the Boulder Theater where they had a pair of them, a room I've played countless times, and there was something really special about the way the bass felt in the room. Mike Grace really knows what he's doing. I need to get a couple. Very clean and clear. I compared it against the DI in my Metric Halo ULN-8 in my home studio, not a shabby DI by any stretch, and it was like the sound just opened up. I'll have to purchase one or two of them.

 
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