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+1! Well-stated post.
Overdriven bass tones can still be heard in a band mix (if you set it up right), but as you start getting into the realm of fuzz, it's important to realize that fuzz is one of those effects where the music needs to be crafted around it, to a degree. If your guitarist is playing heavy metal, chances are you'll get lost in the mix unless you're using a mid-boosted fuzz (and not everyone likes how that sounds). If your guitarist isn't going so far in terms of distortion, you'll have the chance to shine through. Fuzz isn't something that can fit in anywhere.
Take a band like Muse for example... a lot of fuzz and synth effects are used on bass, but they're very careful on how the guitar is applied over it. It's easy to overlap someone else's sonic spectrum when everyone's tones are distorted.
Here's my board that I am about to wire up. There are a few pedals not on here but will be as soon as they arrive at my door. I'll be adding a discombobulator, a boomerang+, a POG, and a pedal power + in the next day or two.
Is there much difference between the Script logo Phase 90 and the Block logo? I had a block one that was pretty nice sounding. The vintage scripts are worth a bit

nice James. It's nice and small. What's the Thor pedal?
To my ears there is a difference. I've actually put them side by side in a comparison with a close friend that is a studio producer and we could hear a difference between them. The script one was "darker" or "warmer" in tone. Not too sure if it's the components or how the components have aged....either way it sounds great!
You're right about being pricey these days....the script ones are getting a little steep.
we need to get more boards on here and less talk!
what 4 on a page isnt enough? should we just stop talking and everytime we want to say something, post our pedalboard instead?