"Does the unit necessarily track better if given output from a bass' onboard 13-pin vs. from a surface-mounted GK3b pickup."?
SMASH, I couldn't answer that insofar as I have only used the GR-20 with my Godin.
Having said that, I can state that it's Godin's posture that the SA series of guitars and Basses were designed from the outset to be compatible with the Roland product- THe GR-20 and the G-1 specifically. More info is on the Godin site.
I can also state without hesitation, that with an inordinate number of playing hours in the three short days I've owned the GR (damn thing is addictive...) the tracking is more than adequate, it's VERY good, and I've not noticed any fall-off in the low end frequencies whatsoever.
There are variances in patches as to how they track, and as to how they -Subjectively- sound.
Like any variant with gear, so much is dependant on a player's technique, approach, attack and musical sensibilities.
There are musical constants of course, but give 3 bassists a line to play, and you'll get 3 different versions of that line.
My view is that the GR-20 is an excellent way to both expand and improve your approach to the bass guitar.
It's NEVER going to take the place of how I play and what I do in my R&B pocket rhythm section, (although it sure has it's place...there are some ways of getting funky with this...)
But the unit is very cool and lots of fun for developing an approach to playing "bass as synth"..
As I mentioned a big factor to me is the extant to which bass and synth signals/volumes are mixed - or not.
Also- I have found- that even with the bass volume full-on, synth off, the GR-20 boosts and embellishes the signal, adding a little sharpness to the tone, more so than if I were running direct into the same amp without the synth.
And finally- there's also a connect between amp/cabinet/ and bass-
I struck it rich for what I want with the combination of the Godin, a Neo-Pak, and the Wizzy M-Line cabinet.
It all comes together, and there's a lot of paths to take...