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Maybe, but more likely it's that the Century bridge is a lot closer to the endpin. This moves the whole playing scale closer to the plucking hand......But the Century 6’s don’t give me the same problem. Might be the extended upper horn?
I must not be understanding what you're saying.I have debated playing exclusively fretless before, but I like the variety I have.
One of the few, but not the only one! Years ago, I was the musical director for an Elvis / Neil Diamond impersonator. We were touring Canada and played the Mad Dog Saloon in Lac La Biche Alberta. Very rough crowd. Their favorite sport was trying to spin bottle caps through the chicken wire. By 1am, they were chucking ashtrays. The band hunkered down at the back of the stage and let the frontman be the frontman.Yeah, this has happened more than once when I have played. I bet I am one of the few here who has played behind chicken wire in front of the stage.
My Roscoe is available:
For Sale - Roscoe SKB 3005 Signature
Yes sir, it was Brian's Roscoe. Terrific guy!That is Brian's old Roscoe Mango. Nice bass.
Beautiful Roscoe!
Not sure it’s a Signature though. Looks like a Custom.
GLWTS
It's seems as though the Waterfall Bubinga Keith had in stock is going fast. It is beautiful wood for sure. I can't wait to get mine as it should be any day now. Or maybe 2 more weeks lol.
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I agree with the premise of this statement. Of note, however, is an assumption that may or may not be true: That a certain bridge is "a lot closer to the endpin," due to Century model design.Maybe, but more likely it's that the Century bridge (location, making it easier to play) is a lot closer to the endpin. This moves the whole playing scale closer to the plucking hand.
Find a Roscoe you like/love and hold onto it a s long as you can.

I agree with the premise of this statement. Of note, however, is an assumption that may or may not be true: That a certain bridge is "a lot closer to the endpin," due to Century model design.
For example, older handmade Roscoes have some significant variances in many "tolerances," including bridge placement, depending on who worked on the bass.
You could pick a sample of 3 LGs for example, all of the same neck scale, and the bridges vary in location in relation to the endpin. This is an example that illustrates that it is not model specific in the SKB vs Century, which-is-better debate.
The standardization that has occurred as the result of technology implementation in the Roscoe shop may lend more truth to ArtechnikA's statement, but I am not sure. I am sure that some amazing older Roscoes are in existence. I've played a bunch of them. Their specs are all over the map, beyond the custom spec'ing that continues today.
One such SKB, over 20-years old, became the spec template for the Roscoe that Keith and company crafted for me 2-years ago, July. It is an amazing bass, and I love playing it every time I touch it. There is not one change needed, something that is indeed rare for me. And, it's not of the current Roscoe spec, as that was part of the discussion with the shop during the order phase. It's definitely a keeper, as is the 20+ year old that it often sits next to.
Moral of this story? Find a Roscoe you like/love, old or new, and hold onto it as long as you can. .
One of the few, but not the only one! Years ago, I was the musical director for an Elvis / Neil Diamond impersonator. We were touring Canada and played the Mad Dog Saloon in Lac La Biche Alberta. Very rough crowd. Their favorite sport was trying to spin bottle caps through the chicken wire. By 1am, they were chucking ashtrays. The band hunkered down at the back of the stage and let the frontman be the frontman.

To paraphrase this (which was so eloquently stated by Fritz) …..
Roscoes are like fingerprints and snow flakes, no two are exactly alike!![]()