TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I think your statement makes an excellent point (also, I believe, referenced in Sadowsky/Tobias interview), and that’s that tone as defined by the player is often very different than the audience’s definition.On the one hand, I defy any player to be able to identify the type of fingerboard wood from a recording.
On the other hand, highly knowledgeable folks, like Roger Sadowsky and Mike Tobias will tell you that the fingerboard wood is extremely important to the tone of a particular instrument.
So, does the fingerboard wood matter or not? IMHO, both the inaudible differences on recordings and the statements by well grounded luthiers can be true. How is that? Well, the musician gets a significant sensory feedback from the instrument while playing, which affects playing (everything does), but doesn’t carry over on to tape.
And, while you are mulling over that little tidbit, I like my carrots sautéed in butter with just a bit of honey added.
I'm just the opposite. Though RW and ebony also are pretty. An evergreen topic.I’ve always preferred a rosewood board, no tonal reason, just prefer the look.