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Show me your compact pedalboard setup

Hello Tb’ers!
Added the Laser etched Cali76 to my compact board this morning. sounded great , i got carried away from playing and got to work late lol ! Have a happy holidays tbers! wish you guys all the best! cheers! View attachment 4911150

Nice, you got a T-16 AND a T-47! I've been emailing COG for a T-47 and there's no response even though he said he'll be back building these.
 
I will say that the JoshWah is a *great* envelope filter. I especially liked the driven envelope sound. Keeley's probably on the line. That being said, I love Keeley (and Broughton, and all of the other stuff... but I realized I have invested way too heavily in gear, relative to how much I play anymore).

For me, I have a hard time defining *boutique.* When I think of boutique, my mind sort of drifts to things like FLWR Pedals / JAM Pedals / etc. The hand-wired non-mass produced stuff. Which, to be fair, I guess my old board really didn't have any of that, anyways... but my rig slowly got bigger, and bigger, and bigger, and I realized 'holy cow, I only ever use drive and compression' The other stuff just sits there taking up space.
I can relate to your feelings. When I do play, I only ever use drive and a tuner. So far, I have a tuner, magic tone box, drive, fuzz, wah, chorus, and delay/reverb pedal.

I've tried to get into compression but I always end up with some high-end boutique thing that sits on my board for months unplayed. I do really love making doom sounds though.
 
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I will say that the JoshWah is a *great* envelope filter. I especially liked the driven envelope sound. Keeley's probably on the line. That being said, I love Keeley (and Broughton, and all of the other stuff... but I realized I have invested way too heavily in gear, relative to how much I play anymore).

For me, I have a hard time defining *boutique.* When I think of boutique, my mind sortof drifts to things like FLWR Pedals / JAM Pedals / etc. The hand-wired non-mass produced stuff. Which, to be fair, I guess my old board really didn't have any of that, anyways... but my rig slowly got bigger, and bigger, and bigger, and I realized 'holy cow, I only ever use drive and compression' The other stuff just sits there taking up space.
But anyway, Why the MXR Studio Comp as opposed to the Dyna Comp Bass Mini?
 
But anyway, Why the MXR Studio Comp as opposed to the Dyna Comp Bass Mini?

The studio company is the same circuit as the bass compressor just black (they made it so guitarists felt better about not having a bass-specific comp on their board… seriously :roflmao:)

For me, the visual indicator and selectable threshold are what set it apart. I can kick the threshold up a couple of notches if I’m slapping a lot. And, the visual indicator lights lets me dial it in a bit easier for the bass I’m using (I have 2 passives and an active)
 
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In my experience, the way to limit yourself is to a small board.

These are Nano+ boards I've gigged with. A couple of very high quality pieces does it for me.

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This one especially was great. Forget the Octabvre. The MBD2, Joshwah, and tuner might run you $350 altogether. Put it in front of an amp or preamp of your choice and you can cover almost anything. Spend another $150 on an MXR Vintage Bass Octave and Phase 95 and you can do anything a bassist is likely to be called to do.
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The studio company is the same circuit as the bass compressor just black (they made it so guitarists felt better about not having a bass-specific comp on their board… seriously :roflmao:)

For me, the visual indicator and selectable threshold are what set it apart. I can kick the threshold up a couple of notches if I’m slapping a lot. And, the visual indicator lights lets me dial it in a bit easier for the bass I’m using (I have 2 passives and an active)
Makes sense, yeah I thought the studio and bass comp looked the same lol.
 
In my experience, the way to limit yourself is to a small board.

These are Nano+ boards I've gigged with. A couple of very high quality pieces does it for me.

View attachment 4914498

This one especially was great. Forget the Octabvre. The MBD2, Joshwah, and tuner might run you $350 altogether. Put it in front of an amp or preamp of your choice and you can cover almost anything. Spend another $150 on an MXR Vintage Bass Octave and Phase 95 and you can do anything a bassist is likely to be called to do.
View attachment 4914499
That's how I feel about the Broughton Scorpion, but it doesn't hit quite right like a good muff does for me. That said, I don't gig and I haven't played with another musician in like 4 years now. So, you know, money.
 
So it just seems to get smaller as I get older... but right now, this is about as good as I think I've ever had it.
I swapped my Ashdown OriginAL for the MXR M81 (3rd time owning this and hopefully someone will slap some sense into me should I ever try and get rid of it again!)

Happy as a clam
View attachment 4867073
Does the MXR M81 get gritty at all? I am looking at putting a board together and the preamp is where I have the most questions. A bit of grit, like a tube amp being pushed a little is the most dirt I want. Will the M81 do that if you push the input up and dial back the output or is it just clean, clean and more clean? The clean tone it has is quite good but wondering if I would need to add the grit from another source if I went that direction
 
Have you compared the ashdown to other octave/sub pedals? Curious what it sounds like. Hopefully it’s more like the sub on their old amps as opposed to the pedal that preceded it.
I have not. I totally took a gamble and just went for it based on limited internet videos. It was cheap and so far it's working for me just fine. The simplicity is a huge plus for me too.
 
Does the MXR M81 get gritty at all? I am looking at putting a board together and the preamp is where I have the most questions. A bit of grit, like a tube amp being pushed a little is the most dirt I want. Will the M81 do that if you push the input up and dial back the output or is it just clean, clean and more clean? The clean tone it has is quite good but wondering if I would need to add the grit from another source if I went that direction
The M81 is suuuuuuuper clean. Like, no grit whatsoever that I've found. I've never pushed the input gain to try achieve grit, so I can't speak to that, but even when I've dug in a bit, or had some heavy bass boosting, it's never broken up that I can tell.
It's actually why I went back to the M81. I just don't want grit of any kind from a pre. My 10c, use a dedicated drive pedal of some kind :)