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So I have lurked on this for awhile (even talked with Steve with some wiring questions) and finally pulled the trigger on an idea running through my brain. Maybe this should be posted in the "Show me your 4 pickup bass" but I couldn't find the thread
I have a 5 string SX j bass that I love, but wanted to modify for tonal variety. Pictured below is what I have come up with. I still need to wire it all up but the controls are as such:
Each soapbar pickup has an on-on-on for series-single coil-parallel. Each pickup then has its own volume knob (the four bottom pots).
The two bridge pups will be wired in parallel with each other. The two neck pups will be wired in parallel with each other.
A 4 position rotary switch (pot neck to the four toggle switches) will then allow for:
1. bridge pups
2. bridge pups in series with neck pups
3. bridge pups in parallel with neck pups
4. neck pups
And finally there will be one master tone pot (top - far right pot)
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Four is a lot of volume controls to fumble with. You might want to add a master volume and/or master kill switch. You could use the master tone pot as master volume and skip the tone. With so many pickup options you really don't need the tone control anyway. Or, you could install another mini switch to use as a tone switch. With an on/off/on switch you could wire it with two different capacitors. Or you could stuff another pot in there. If you use mini pots it would fit fine.
Did you cut the pg yourself? Looks really good. You may want to cut off the control panel part from the rest. Looks like your screw holes are drilled with that in mind.
For the record, where does everybody buy their electronics? I just surf ebay, pay the guy in china, and wait 2 weeks. If I need it faster, I pick a US seller.
Some photographic evidence that the "Retro Switcho" (original post) project is still alive!
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If you might recall, the "bank" of E-A halves and the bank of D-G halves are each assigned a 3-way switch.
Each switch position was supposed to select one of three halves in that bank (1,or 2, or 3)
It turns out 3-way switches do not work that way.
In my case here's how they normally would work: 1, or 1+2+3,or 3.
BUT-luckily we're going with an Audere pre-amp.
It's architecture is such that Dave Meadows can assign each throw in a switch however he chooses, so we are able to do the switching as planned.
(boy I hope that made sense!)![]()
Question: I play roots reggae music using a 5 string Jazz bass. I have long thought that a 5 string with a pickup close to the neck would make sense since with reggae it's all about moving air with the low notes. I pluck right at the neck heel to accentuate the lowness, so I'm thinking a pickup right there is a no brainer for this style of music. I've had non bass players tell me I'm out of my mind. Is there any technical reason why this is a bad idea?
I've seen quite a few bands use Rickenbackers tuned down to low C, low B, or even low A.Question: I play roots reggae music using a 5 string Jazz bass. I have long thought that a 5 string with a pickup close to the neck would make sense since with reggae it's all about moving air with the low notes. I pluck right at the neck heel to accentuate the lowness, so I'm thinking a pickup right there is a no brainer for this style of music. I've had non bass players tell me I'm out of my mind. Is there any technical reason why this is a bad idea?
You should try to get Tom Cruise to sign it.
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This isn't a 3 pu bass but it is a reggae-monster (moving air with the low notes) maple Ric-esk body/Steinberger carbon lined fretless neck) Bartolini HB at the neck w/Agular OP-2 pre. Big low.

I like Cruise and the Top Gun movie, but think we can top that. We have an informal commitment but I'm not counting on it until it actually happens.