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Show us your "parts basses"

I'll play. Here's some of my parts basses. I'm quite attached to these projects actually.

AO50s neck, MIJ 70s Classic body, Duncan vintage winds and appropriate Fender bits.View attachment 4537305
My pretend 59. AO50s neck, 3TSB Fender body, CS59s out of a Dirnt, and requisite Fender bits.View attachment 4537309
A Dirnt body with a Fender Cabronita neck, tuners and bridge, DiMarzio pickups.View attachment 4537310
A 60s Classic Jazz body, Highway One (or 1, I never remember, truss at heel one) CS pickups and Fender bits.View attachment 4537312
A CV51 body with Cabronita neck, tuners, and bridge, a Duncan SCQP, and pearly bits.View attachment 4537314
A 70s Antigua reissue Jazz neck with dots and a bullet rod, StewMac body, Duncan QPs and Fender bits.View attachment 4537316
My ghetto Telebass. A VM Precision body, AmStd bridge for string thru and a CV51 neck.View attachment 4537319
My 58AVRI's stunt double. RW 50s neck and tuners, Fender body and bits, and PV63 pickups.View attachment 4537325
All are just supermegahappyfuntime players.
That red sparkle MIJ body P should have a stripper name.
 
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I have a few. A three pickup Warmoth jazz, and a Fender parts fretless jazz, a Blacktop jazz, and a Squier parts P. The most interesting one is the Warmoth.
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Here's some of mine. The objective- to spend as little money as possible. NONE of these basses exceeded 400 bucks in total parts. All the EMG's I bought here on TB. The G&L Tribute necks were purchased directly from G&L, when they were $39.00! The black P-J is a Squier Affinity I got (complete bass) for 75 bucks on Craigslist. It has second hand Schaller BM gears, and a RARE lefty gold anodized guard! I made the neck from billets I had in my shop for years. It's a pretty stout piece of flamed maple, with a 22 fret rosewood board, double acting rod with headstock adjustment, and a huge 1-7/8" nut width. The neck is the secret of any bass' sound. That bass just kills. The next, is a forty dollar score unfinished Ash 'T' bass with a modded body, and G&L neck. These necks do NOT just bolt up to a Fender pocket. To make it work, both the neck heel and neck pocket needed to be cut. I routed the body for the second pickup, and made the totally unique pickguard from scratch, after fitting a black posterboard one and tracing it onto the plastic blank. It has one Fender Japan pickup, and one Squier. The bass sounds great. It's got a 10 footer Krylon paint job that is truly awful - a strap melted the finish on the back. I'm too lazy to re-do it. The last one, is another 40-50 dollar formerly sunburst Squier body, now sporting Krylon's version of Daphne Blue. It has a G&L Rosewood neck, body and neck- and surplus pickguard all modified to fit. EMG pickups, Volume/ pan/ treble and bass stack. Even with ALL gold hardware, including Schaller tuers and Omega bridge, I have about $375.00 in it.
I wanted to see, with my nearly half Century of Luthiery experience, if I could build a few 'budget' basses that played as well as some serious boutique instruments. For the most part, the results were satisfying.
 

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Body: 2008 Fender FSR ash standard jazz sapphire blue transparent
Neck: Fender Japan JB75 maple pearl block neck
Tuning machines: Fender pure vintage 70s
Pickups: Fender Custom Shop 60s with true custom shop white covers
Pickguard: Fender standard jazz pearloid
Knobs: Fender stratocaster knobs white

Body: 2002 Fender FSR standard jazz US Gunmetal Blue
Neck: Allparts maple black block neck
Tuning machines: Gotoh FB30
Pickups: Fender American Original 60s Pure Vintage 64
Bridge: Fender spiral vintage

Body: 1976 Fender precision
Neck: 2019 Fender Steve Harris precision neck
Tuning machines: Gotoh FB30
Pickups: Fralin
Pickguard and knobs: Fender American Professional II
Bridge: Aerodyne smoked chrome

Fender Charcoal Frost Jazz
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Body: MJT Charcoal Frost Metallic closet classic
Pickups: Fender Custom Shop 60s
Pickguard: Fender white
Everything else: 2009 Fender road worn jazz

Body: Warmoth charcoal frost metallic
Neck: custom by Keith Horne
Tuning Machines: Schaller M4 90
Pickup: Seymour Duncan NYC
Bridge: ABM singles
 
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Bargain parts builds. Started out as a pair of Squier Vintage Modified basses, bought at a steep discount. Luthier removed necks, electronics and hardware, sold all. Got MightyMite Precision necks, Gotoh bridges, Schaller tuners, Duncan SPB-1 and SJB-1b pickups, bodies routed for full size CTS 250k pots, Orange drop vintage spec capacitors, Switchcraft jacks, roller string guides and StrapLoks.

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Warmoth, Sklar routed (dual reversed P's, spaced), EMG's, black sparkle body.
Fender MIM P neck (original tuners). Triple string retainer. Hipshot B bridge.

Put this together for a semi-old school P with flats (T.I. Jazz Flats BTW).
Not usually my thing, but I do prefer a reversed P and "Holy Cow" I must have gotten lucky
with this Fender (usually notoriously inconsistent) neck. The strings are practically laying on
the fretboard with no buzzing to speak of. Love this bass.
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This one started out as a '94 MIM P-Bass.

I stripped and refinished the body with the same polyurethane I used on my wood floors.

ESP bridge, Seymour Duncan Quarter Pound P-Bass, Fender "F" neck plate, black metal knobs and brown shell pickguard are replacements from other projects. The neck is a new Fender MIM replacement. Strung up with Elixirs.

I keep going back and forth between routing it for a bridge J pickup or not.
 

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I have three, this is my latest. Warmoth body, pickguard and neck. Can't see it but AAA flamed maple. Hipshot tuners and bridge. Fender v-mod pups.


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I wanted this color combo, but it wasn't an option, so I bought two basses and switched out the parts. The body is a lot whiter than this pic. It's in my profile picture.

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I was 'gonna sell the leftover parts bass, but my wife said it was too pretty and I should just keep it.

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