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Hard to go wrong with any of Rob's basses. I've owned a bunch and they all were very nice instruments. If you like 30" scale, a Mouse will make you happy. I loved mine but I typically switch instruments during the set and I found that I had trouble going from 30" to 34" between songs. Other guys don't have that issue. If I played the Mouse for a whole set - no problem.
This is kinda why I do dots at every fret line. Transitioning between basses with different scale lengths is much quicker and easier. Two bands ago, I used to switch between a 35" scale Conklin 6 and the Mouse 30. No prob. I have since added a 32" scale 7 string to the mix.
My Deep has the dots where they normally are on the side (i.e. 5th fret, et al.), but muscle memory is much better. Since the neck Rob did for me on this one is pretty much perfect for me, whether I'm playing my '78 P or this one, there is no difference in feel.
To each his or her own, though. We're arguing semantics since all of Rob's basses are great. This is all personal preference.
Anyone if RA still makes these gigbags?
Being able to have muscle memory on all of my various basses would be a very tall order, especially when making an instant switch.
All I play are 4 stringers, so it's not that hard if they are all basically the same. It's one of the things I realized a few years in with the old Deep 4. Liked the sound and setup, but on the gigs I went between my P and that, that little bit of extra killed me. Switching between the P and the Takamine TB10 was worse.
All I play are 4 stringers, so it's not that hard if they are all basically the same. It's one of the things I realized a few years in with the old Deep 4. Liked the sound and setup, but on the gigs I went between my P and that, that little bit of extra killed me. Switching between the P and the Takamine TB10 was worse.