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Mother of Toiletseat would be even better.
Good point. If only it was rear routed, you could go clear!It would do a similar visual thing that the tort is doing - which is dueling textures. If black, or white/mint or even gold anodized, the pg wouldn't compete texturally with the sparkle finish and instead would highlight/showcase it. The meat-colored tort also competes with the reds in the 3T burst. I'd still go with B/W/B.![]()
Good point. If only it was rear routed, you could go clear!
I don't get tired of that...keep going.
Tasteful & Subtil.Here's a rattlecan refinish I made some weeks ago. It's a cheap Vintage Icon V4 P bass which had the factory-relic sunburst finish. I oversprayed it with white primer, lake placid blue and a clear coat and then carefully relic'd it.
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Here's a rattlecan refinish I made some weeks ago. It's a cheap Vintage Icon V4 P bass which had the factory-relic sunburst finish. I oversprayed it with white primer, lake placid blue and a clear coat and then carefully relic'd it.
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That looks nice man. I like that you were hip to the subtle layering of the finishes where the wear through the layers is sort of like a topographical map of color which looks more natural than when people just go at it with a bit more fervor.Here's a rattlecan refinish I made some weeks ago. It's a cheap Vintage Icon V4 P bass which had the factory-relic sunburst finish. I oversprayed it with white primer, lake placid blue and a clear coat and then carefully relic'd it.
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Thanks! That's exactly what I was going for ;-)Tasteful & Subtil.
Thank you very much!Looks great and reminds me of the older relic finishes of Frank Cunetto. Well done!
ThanksThat looks nice man. I like that you were hip to the subtle layering of the finishes where the wear through the layers is sort of like a topographical map of color which looks more natural than when people just go at it with a bit more fervor.
Is that a relic? The wear behind the bridge seems odd.I'd like to encourage everyone, especially anyone new to my thread to visit/re-visit post #840 which offers some ground rules regarding our topic. After 130 pages we have a pretty good record of keeping it positive, keeping it all about our aesthetic appreciation of distressed finished basses - and I'm looking forward to 130 pages more!
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ungraceful changing strings...Is that a relic? The wear behind the bridge seems odd.
Forgot to add that I worked at G&L when this was made. Likely i had my hands in the production at one point (liukely the neck, my main station) and it went out into the world and into the hands of a funk / slap / thumb player who "loved it up"
Is that a relic? The wear behind the bridge seems odd.
ungraceful changing strings...
BUT is does say Fender custom shop. Looks like John Cruz's work![]()

Interesting, that's not something I would think to be much of a thing, but I suppose over 50 years it's had a fair number of string changes. I'll have to keep that in mind for future relics. If it wasn't for the distinct line to the E string I would have attributed that to strap wear.