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Thank you! I think this is something we all to often miss as a relic doesn't necessarily need to be authentic in any way, and further more being that no old guitar is subject to the same set of circumstance chasing "authentic" can be a bit of a farce in and of itself.
I like to look at distressed instruments like I look at an abstract painting. IMO where they win points is the work involved or at least the look that there was some form of talent that went into its creation, that it has a story or two to tell ect...
I haven't asked him about it myself but I was told it's a guitar he's had for decades.
View attachment 744152Hopefully not a repost...
Funny, those were my favorite 4 years, so far. For me, it was the best music, best cars, best fashion, designs, ingenuity.... Looking up at that Moon and wondering.....did they really go?nice - judging by the long G saddle screw/single groove barrel saddle, a '69-'73
Funny, those were my favorite 4 years, so far. For me, it was the best music, best cars, best fashion, designs, ingenuity.... Looking up at that Moon and wondering.....did they really go?
PS: Here's a link to the site I got the photo of that P Bass. The site has some has some nice distressed bass pics on it.
3TSB and a maple board, nice!View attachment 753208
1958 Fender Precision bass was used in early Steely Dan recordings. Walter Becker purchased this bass in 1973.
I saw this on another thread, Guy Pratt playing a J; you could really see exactly where his thumb moves around to create the wear:
I totally agree, I really appreciate slap and it does sound very cool, but I prefer this approach much more.Thanks for posting Ivan!Have loved his BMM J for years - that's a great sounding bass! I tire of slap and to hear such excellent poppy/funky finger-style playing is refreshing.