What do you mean "USE to play"? This isn't blazing fast, but if it's not inspired and original, I don't know what is!
That is a quite remarkable piece of music !
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What do you mean "USE to play"? This isn't blazing fast, but if it's not inspired and original, I don't know what is!
That is a quite remarkable piece of music !Thanks for sharing. Just seen a tiny desk show of theirs to watch later...
Here's four. These are the ones I usually gig with. Also got a fretless L-2 (used to be my main) and a fretless Squier Jazz bass.
View attachment 4541021
I like what you did here. A cool mix of Ric, J and SCPB, all in a fretless!
A J is easily one of the best platforms for fretless. Plus, yours is black. Extra points for that, too!View attachment 4541092
Nothing fancy, but it gets the job done.
That is a quite remarkable piece of music !Thanks for sharing. Just seen a tiny desk show of theirs to watch later...
Are all these set up differently, and how?
My main fretless nowadays is the signature Gary Willis, with round wounds on it. Several jazz videos of me on the GWB are on my YouTube account, ImprovUnedited, such as Humanity - Mov 4:
If anyone likes this kind of jazz (originals; often jazz tone poems), please do subscribe. Cheers, Julie
Only one (older) tune using the MTB with flat wounds, since I'm trying to sell it, is The Corn Shucker from 14th St.:
View attachment 4551229
Hi guys. This is a good thread to ask some advice. I posted a pic of my Mark Hoopus bass that was defretted. I bought it like that. Works well but I can just barely feel some of the fret markers. I'm gonna eventually smooth them all out. Then I'm not sure what to coat it with. I see super glue and epoxy used. What do you guys think is best? Thanks for any suggestions.
You're right where there ain't nobody feelin' no pain!View attachment 4556813
1982 Ernie Ball Earthwood Acoustic with Texas based inlays by Luthier Bill Badeaux of La Porte, Texas.
Thanks for your thoughts WilliWIt really doesn’t need a coat of anything, you could just get a radius block and smooth it out.
But if you must coat it, a thin layer of CA will suit most needs. I use cardboard like from a string pack, and use it as a spreader.
CA gel for thicker coats and CA liquid for thinner. You would still likely need that radius block to finish it.
I have a particularly pretty board on my NR Thunderbird, and I want to leave it as natural as possible, so no CA on her, but I’ll spend more time fitting slot veneers to keep it pretty.
Yep! AND, it sounds even better than it looks! I used to think a Pedulla Pentabuzz was the best, then I thought a F-Bass was the best, then I bought a Roscoe!That myrtle is lovely!
The bass I've always wanted, Ernie Ball Earthwood Acoustic!View attachment 4556813
1982 Ernie Ball Earthwood Acoustic with Texas based inlays by Luthier Bill Badeaux of La Porte, Texas.
I LOVE that myrtle body!View attachment 4550285
Roscoe SKB Custom 5 - solid Myrtle body, 1 7/8" at the nut and 3/4" at the bridge, lotsa piece neck and birdseye maple Dymondwood board. It now has MTD rounds on it and growls like a rabid dog! Not that I want dogs to be rabid...