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Every commercially successful musical recording ever produced was done with a P bass with flats and a tort guard. There are no exceptions.
There is a secret society of bass players that are brought in on sessions after hours to retrack all bass parts that aren't done correctly (as in non-P bass). Most of Jaco's tracks were actually Bootsy Collins on a P. Victor Wooten's recorded work? Steve Harris. RHCPs entire catalogue was actually Carol Kaye on bass, not Flea. The list goes on and on...
I showed up once with a Warwick and the producer loved the tone. He also thought I did a "perfect take" of the song on the first try. The only noises he made were shrieks of joy. We then recorded several more tracks but he ended up using the first one. I own a Fender P and J but nobody missed 'em that day.
I showed up to the studio with this and they told me to leave and come back with a newer looking bass with with a pick guard other than Tort...View attachment 674285
Producer said bring P bass. Mentioned nothing about clothes. Hilarity ensued. New studio rule instituted.
View attachment 674158
I thought nobody could get away with this kind of stuff!I think I can get away with it here.![]()