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Showed up to recording session without a Fender...

As I enter the studio, I genuflect before the graven image of Leo Fender, flagellate myself with .045-.100 Chromes, stuff foam into my shorts, and recite the collected boogaloo patterns of Carol Kaye. Only then am I worthy to record my poor, pathetic bassLines.

anyone knows you only flagellate yourself with TIs when you recite Carol BURN THE INFIDEL
 
When I was learning to play in the early 70's, the orchestra director ( a top notch double bassist) had me listed in the concert program as John ....... On Fender bass. I owned a Univox Hiflyer.

Even Gibson EBO's were called Fender basses.

To get back on point- no one ever complains about my Elrick with flats in passive mode when I record tunes that call for that sound.
 
Once. Producer was all:

image.jpg
 
Here's a simple studio screening test you can do:

First, you'll need a non-fendery kind of bass. Once you have acquired such a bass, bring said bass to a session. Also, bring your fender or fenderish kind of basses with you, but leave those ones in the trunk of your car for now.

Upon revealing your non-fender instrument you will observe one of two possible outcomes;

Outcome A: You are immediately asked to produce a fender or fenderish instrument with which to record. In this case you should retrieve fender instrument(s) from the trunk of your car and proceed with the recording session.

Outcome B: The recording session begins without being asked to produce a fender or fenderish instrument. In this scenario, you should leave the studio promptly and seek out other musical endeavors and/or recording studios until the only acceptable outcome is achieved.
 
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