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Simple question are we moving back to combo amps?

I very nearly bought a Fender Rumble but ended up getting a Markbass Traveller 121 to connect to my TC Electronic BH550 to replace my old cabs and the one combo I had the Amepg BA115 (2005 model). The amp and cab are light, easy to carry and the cab can handle up to 400 watts. If I'm in a venue that needs more than (very rare) then they will have me go direct anyway.
 
So my main rig these days is this GK combo rig pictured below. It an MB115 mkII on top and a powered MBP115 on bottom. I like that GK gives the option to chain up to seven components together. I could literally build a wall of these things - and with the power section housed in each cab, I could potentially even do the unthinkable and mix driver sizes without fear of damage to speakers. I know GK isn't everyone's cup of tea, but for me their amps largely recreate the sound that's been in my head from 40 years of listening to the music recorded over the last 70 years or so. I like that I can set the eq essentially flat and tweak to taste and it's pretty much good to go. I bought this rig new for less than a grand (but I think the prices of these components has increased over the last few years). They are light enough that I can carry each one in one hand. And they are incredibly loud. I feel confident that I could play any gig in town with these. As it stands, I use this setup in my weekly p&w gig. They fill the large room with ease with the gain on 10 oclock and the master on 9 oclock. In fact, I keep the bass eq knob down to about 10 oclock as well to keep the room from getting overwhelmed with low end (i also use an HPF) - and still they are thunderous. I still have cabs and amps at home that I wish could get more stage time, but really these days, this setup gets me where I need to be. ymmv.

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As I don't gig so often, i'm not yet fed up with moving gear. So My main rig is a GK700RB head with a GK NEO 2x12; when my backup rig is an old GK700RB115 combo that I've splitted in GK700RB head + 1x15 cab. My backup rig is also my rehearsal one; as the pianist basement is our local and I can let it there.
So no, i wouldn't go for a combo. As i've still the same rig available if my main head goes wrong.
 
After using a 4x10 and bass head or power amp for many years, about five years ago I went to a small 1x12 cabinet and GK MB200, but about two years ago I got a Rumble 100 because I line out our PA and just needed something for the stage and we were doing 12 to 13 shows a month. Just did 14 shows in the past four weeks. So at 66, I just want to get in and play and have fun and pack up and go home, without hauling a lot of stuff.
 
I see it going the other way. Heads and cabs are the norm. I went from a combo (with extension cab) to a head a cab. I can't remember the last time I saw a combo at a gig around here. Small heads and cabs are all I see.

Advantages to separate components
1) I can choose the cab, or cabs, for the gig and still have my favorite head.
2) My head has an aux in and headphone jack. I can take it into my living room and have a silent practice.
3) Most new heads can be run without a speaker load. As such, I can take just the head to a gig (or church service) where I'm using in-ear monitors. I can literally use the head as a fancy DI. (Mesa TT800 in my case)
4) In most cases, a separate head comes with more features than a combo head section.
5) Most new heads fit in a gig bag pocket or small over-the-shoulder carry bag. That removes easy transport from the list of advantages of a combo.
 
I have both and both have their pluses and minuses. These days as an old man, I prefer to carry the early edition Markbass CMD121P to the venue - make a second trip for the NY121P extension. Make a third trip to the Truck for my Bass and a mic stand. DONE!

This my exact setup and I love it. I do wish I had a basic Ampeg rig for more vintage vibes, but in terms of pure practicality this is tough to beat.

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I thought Genz Benz had a great solution in the Shuttle amps where the head clamped to a bracket on the top of the cab. It could be either a combo or a head depending on what you need.
That is what I have been using for the past 13 years. A shuttle 6.0-12T to be specific. I just switched to a head and cab option Berg Forte HP and NXT112.
 
The last amp I bought I opted to get a Rmble 500 combo plus an extension speaker instead of a head and speaker for a couple reasons:
First it was cheaper that way and second, if I play a small gig I can just grab the combo and go.
Weight is negligible.... I can't tell a noticeable difference between the cab and combo.
My Peavey Headliner 1000 and two 410s I'm glad are separate. Not terrible weight as far as one cab goes, but if that head was added, it would be less desirable to move.
My Hartke 350 combo is rediculously heavey for the power it puts out. Decent enough amp.
 
IMHO the best combo out there is the MarkBass CMD 102P. 2x10's, 250 watts or if adding another 210 cab 500 watts and about 45 pounds. I don't have one (wish I did). I have the Hartke KB15 combo which is adequate for smaller gigs that don't have loud guitars. My preferred rig is my MarkBass Tube 800 with either my New York Ninja 122, New York 151 or both.
 
James Demeter has re-imagined the flip-top for modern use. Now, if someone would update the Redhead/Super Redhead with Neo 12's and lightweight construction, the power is already lightened. I also wish for a single 12 with a bespoke 12 as a stack. I always wanted a bass Bluesbreaker or Twin Reverb.

The other way to do this is powered cabinets like we see in sound reinforcement, run from any of the preamp pedals. Bag End adds quite a bit of steam to most of their cabinets with only a 7# weight gain.
 
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I use a GK MB210ii combo and add a CX115 extension cab when needed to realize all 500w. It's 350w (I believe) with just the MB210ii combo alone. If I need more than the combo + extension FOH can just take a line out or throw a mic on there.......

I used to run a Mesa Big Block 750 and an Orange OBC410, and before that a Mesa MPulse 600 and a Powerhouse 1000 cab......HEAVY.......and I prefer light.
 
With Class D all the rage and extremely light cabinets, is the bass community opting for combo amps instead of the amp head and separate cabinet?
I have been giving it some serious thought, you'd only need to bring one thing instead of the head and extra cabs not to mention additional cables.
If you were to switch back what would be your rig of choice for gigs?

Totally an individual assessment for each player. at no point in my history of being alive have all bass players ever, moved to using the same type of amp, with exception to the early days when there were no choices. IME, combos are best for small gigs, when the bass is not as only heard, not felt, and let's face it this comes with age. Easier, lighter load in = better. If ya can, let the house do the work, use IEM's.
 

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