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Double Bass Sonores Gut Strings by Gerold Genssler

I'm very interested in just a G-string of these... I contacted him and he'll only sell full sets. I don't understand that.

Gerold is very precise and exacting when he makes his strings, so I can understand why he wouldn't want players mixing and matching the strings with other brands. He's got an idea about how the whole set is supposed to work together and sound on an instrument.

Here's a video we did recently for an upcoming concert — a bass feature on my tune "Sergio." Gerold Genssler AP2016 strings on my Jean Auray bass. Enjoy!:

 
Gerold is very precise and exacting when he makes his strings, so I can understand why he wouldn't want players mixing and matching the strings with other brands. He's got an idea about how the whole set is supposed to work together and sound on an instrument.

Here's a video we did recently for an upcoming concert — a bass feature on my tune "Sergio." Gerold Genssler AP2016 strings on my Jean Auray bass. Enjoy!:


Great playing, great sound!
 
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Just amazing and beautiful playing, John! And a beautiful tune!


Gerolds strings are really special. I have been playing on gut-strings the last 9 years, most of them on the same set of naked Gamut pistoys (talk about durability), and only have good things to say about Dan Larson and his strings.

About a year ago I bought a new (old) bass with a C-extension. At first I moved my old Pistoys to the new bass, except for the E because it wasn’t long enough for the C-extension.

Instead I began using a Garbo E/C-string, and that worked well and had a nice balance in sound and feel.

But a couple of months ago I had to get some work done on the bass, and my luthier and I discovered that the Garbo-string somehow had gotten stuck inside the extension, and was unravelling and almost impossible to get out.

He fortunately succeded in getting the string out without damaging my extension.

I contacted Gerold about getting a new set of strings, as I had heard many good things about them and was curious and had a very nice communication with him via e-mail.

I knew that I wanted to stick with naked gut for my G- and D-string, and thought that his B-roque set would be a good match for my needs.

But Gerold told my that the B-roque E/C-string would be thicker in diameter than my Garbo E/C-string and therefore would not fit my extension. The end result was a mixed set with naked gut G- and D-strings and his Basso A- and E/C-strings (B-roque special edition as he called them). :-)


Extremely beautiful strings that I enjoy very much. Definitly as good as my previous strings, but also very different. His naked gut strings are darker and a little more like pirastro’s naked gut strings, but better quality, sound and feel in my experience. I was worried if the E and A from the Basso set would be a good match, but they really are. I don’t really miss anything from my previous set, and the sustain (on E and A) is a little longer but in a very beautiful and gut-like way.


Here is a live studio recording of them from a couple of months ago in a trio-context. Recorded with a Remic Red, and another condenser mic, that I don’t recall the name of:


 
Here is a live studio recording of them from a couple of months ago in a trio-context. Recorded with a Remic Red, and another condenser mic, that I don’t recall the name of:


Very nice playing, Jesper! Great trio . . . good sounding recording. Congrats!

John,

Just received the new Hubert Nuss and it's a beauty. Is this the bass/string combination used on that?

Er, uh . . . thanks, MLysh — on Hubert's album I'm using my little German flatback with Spirocore Weich. (Mic-drop . . . crickets . . . more crickets . . .)

I also like the sound of Spiros, especially on that particular bass.
 
OK. I'm going to take the Genssler plunge, it looks like. So, I play a little bit of everything. I need a solid pizz for jazz, and a good grip for bow. Gerold has recommended either the Basso or AP. Bear in mind I sit in a symphony section from time to time, but mostly, I'm next to a drummer swinging away. Any recommendations from the peanut gallery?
 
Could anyone comment on how does the 2018AP compare to his previous set called "Original (Jazz)" in terms of thickness, tension and sound? Thanks!
Do you know about these flyers from Gerold? There is at least somewhat information about the different kinds of strings, made by Gerold..
 

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Adam,

My peanut input .. First, I play pizz solely. If you like the wrapped gut vibe, the 2018 AP strings are fantastic: in feel (even tension, great on hands), sound in all registers, punch, etc... Be prepared to love them in your studio and with duo / trio playing, but have them disappear next to a drummer, guitar player, horns... So far, no matter how they are eq'd. I have SP Weichs on the bottom now and I think this is it for me. fwiw I tried Eudoxa's before the Gensslers (expensive experimenting) and those will cut through, sound great, but are stiff for me, and the silver wrap is somewhat sticky. Perhaps the lower tension and aluminum wrap of Gensslers make them harder to cut through. I loved the feel of the chrome wrapped Oliv's in comparison, and those cut in the mix better as well.

Surely there are no perfect strings, but these are the closest of the 12 or so varieties I've played. A top local pro bowed them on my bass and loved the way they sounded and felt; if just a little scratchy, but they were new when he tried them.

Hope some of this helps. If you have more than one bass, you can leave them on for the right situations. Not sure how they will react to be taken on and off..wrapped strings generally don't like that.
 
Adam,

My peanut input .. First, I play pizz solely. If you like the wrapped gut vibe, the 2018 AP strings are fantastic: in feel (even tension, great on hands), sound in all registers, punch, etc... Be prepared to love them in your studio and with duo / trio playing, but have them disappear next to a drummer, guitar player, horns... So far, no matter how they are eq'd. I have SP Weichs on the bottom now and I think this is it for me. fwiw I tried Eudoxa's before the Gensslers (expensive experimenting) and those will cut through, sound great, but are stiff for me, and the silver wrap is somewhat sticky. Perhaps the lower tension and aluminum wrap of Gensslers make them harder to cut through. I loved the feel of the chrome wrapped Oliv's in comparison, and those cut in the mix better as well.

Surely there are no perfect strings, but these are the closest of the 12 or so varieties I've played. A top local pro bowed them on my bass and loved the way they sounded and felt; if just a little scratchy, but they were new when he tried them.

Hope some of this helps. If you have more than one bass, you can leave them on for the right situations. Not sure how they will react to be taken on and off..wrapped strings generally don't like that.

I never had any problems to cut through with my "drago". Cut through better than my spiros.
I've also had them on and off many times and on different basses, no problem at all!

He's currently making a fifth tunings set for my 90cm string length bass, can't wait to try it out!
 
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OK. I'm going to take the Genssler plunge, it looks like. So, I play a little bit of everything. I need a solid pizz for jazz, and a good grip for bow. Gerold has recommended either the Basso or AP. Bear in mind I sit in a symphony section from time to time, but mostly, I'm next to a drummer swinging away. Any recommendations from the peanut gallery?

I think BASSO (not AP ones) are better if you play also in an Orchestra a lot.
 
Can anybody comment on the J-Roques' arco? The sample of Javad Javadzade sounds great, but bowing hefty gut seems like his bag. I'm on the waitlist for a set right now, super pumped!
Antonio Borghini, a great Berlin based Italian bass player, plays J-Roque with bow without problems. Great sound! You need only to practice bowing a little bit to adjust your touch to the new strings! I'm bowing Sonores Corax actually and after a little bit you get accustomed to. Wonderful strings.
 
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