I have this posted over in the repair forum as well, but wanted to see what all of you Spector guys thought of this.
So here is the finished (pun intended) job. I had John Marshall of Luthiers International do the reassembly, electronics installation, brass nut, fret leveling and set up. Between him and Patrick Sims, I feel like I had two of the most skilled guys in the world working to bring this almost destroyed 1986 beast back to life.
Here are the links to the pics on photobucket:
I apologize for any photo quality issues. My only camera is the one in my iPhone 4 so I did the best I could. I'm looking forward to hearing/reading your opinions!
Thanks also to Max at Best Bass Gear for the hardware hookup: original spec Schaller tuners, pickups, electronics, foam, extra battery clips, knobs (for some reason, EMG doesn't include a knob with its EXB circuit - who knows why?), strap buttons, and a great sounding board for the whole project. The bridge came right from Spector (thanks PJ!!!). The EMG package I went with were the PJX series. I wanted to get a more open tone at the high and low end of the spectrum since the finish was going to be a heavy poly and would compress the tone a bit. I thought these pickups would compensate nicely and they are perfect! I used a 3 knob BTC (volume, tone, stacked treble and bass) for the circuit with an EXB Bass Expander circuit inserted in the chain with everything wired for 18 volts. It was a tight fit in the cavity, but the sound is amazing! I love the EXB circuit and it really turns this Spector into Thor's Hammer. Between it and the stacked tone array, you can dial in a nice variety of tones. I'm one of the few bass players who like to have bass and treble controls on board and prefer to adjust mids only from the amp. It sounds tremendous and you know this thing is a Spector as soon as you pluck the first note. That tubey growl, the sizzle and grunt - it's all there in bucketloads! Granted, it would be nice to be able to afford the Haz-Lab preamp that Spector still sells, but it's just too much money for me now. Plus,according to John, the fretboard just had it's last dressing and leveling before needing a complete re-fret which will run me $300. So I'll be saving up for that. With new frets, I could have the action a bit lower and more in my preferred playing zone, but John Marshall is a tremendous luthier and this bass which was pretty much unplayable when I received it, is now devastatingly powerful sounding and feels excellent - completely restored and resurrected. And again, Patrick Sims is a genius when it comes to restoring damaged instruments - never have I wished so hard for before pics. This bass looks and sounds better than new, and PJ at Spector, Max at BBG, Patrick Sims at Sims Custom Shop, and John Marshall of Luthier's International have all of my thanks. Each was kind, honest, excited about the project, and extraordinarily helpful at every step. I finally have my dream bass and it's better than I hoped. The only thing that wasn't replaced was the weird truss rod, which has the adjusting nut extending way out past the slot, but the truss rod cover will still cover it, it's just bent a bit. And of course, the electronics cavity cover plate was not touched - it's where the serial number is for the 80's NS-2A basses. So TB'ers - what do you think?