- Sep 20, 2008
- 3,369
- 38
- Disclosures
- Jim Dunlop USA, King Kong Cases, Golden Eagle Energy Drink
Mesa's are nice. I have a M6 I am debating on moving soon though. I found the aguilar db750 to be a one trick pony when I owned one. Live it did not work for me. The mesa big block 750 got muddy and lost in the mix live for me. The M 6 and 9 are beasts live in the mix.I'm just used to Mesa gear. In comparison to my taste and A/B'ing the 750 and 500 to the M6 and M9 series thru a 2/15 cab. I think that they lack a bit in comparison. Though like Donny stated running direct live most of the time I have gone to using the Jule Monique to FOH and try to get my tone from the bass.
Donny, you have me about ready to order some of these. I do like the circle k's i got in a balanced set but have always been a d'addario nickel kinda guy, even though I dabble in DR strings.got the new D'Addario balanced tension strings in today... I'll be putting them through the paces tonight. They actual sound a lot like steels.
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It's hard to tell recorded but live in front of a 215 or 810 pumping at 300 glorious tube watts it's very easy to hear (and feel) the difference IMO. So, yes, it's worth the extra $250 to me. Easily.
BUT, that's the tone in MY head.
I'n not so sure I agree about a difference in a live setting between preamps. I find my tone difference to be in the amp I am using , however a generally don't tweak my on board pre that much live except maybe a little in a soloing situation?
I will actively disagree with the pre being different if you are playing a large venue.......then I think it all falls on the FOH soundman.......for the crowd........but honestly......the genral concert goer couldn't tell the difference between tones like we tend to.........lol
And I love ya Lee......but I had to disagree for fun.....
I have had both the spector usa preamp equipped basses and I'm with super.......i prefer the DCs equipped with the 18 volt pre..........my 2 cents.
Happy Sunday!


