PhatBasstard said:I think you will find (at least in my experience) that the opinion of most guys like me that have been playing Spector for 20+ years and have been through and experienced all the Czech basses, is that:
When they added the inlays and went 35" scale on the 5's in 1999, there seemed to be a marked jump in overall quality over the previous SSD NSCR's (in addition to, not because of these two particular changes). Many of us were wondering at the time "how are they going to sell anymore USA's" because the new Czech's felt and played so good. Of course, they did.
When they went to the "Euro's" in 2001, the quality seemed to be just as good...if not better. My Euro4 actually took my (Kramer era) USA NS2's place as my main player.
The "LX's" that took over in 2004 just don't feel as good or substantial as the previous two series. I've played a bunch and own one (a 6 not available in the previous two series) and I have to disagree with JPS that these are the best Czech's yet. I own at least one example of each and played a bunch (everytime I see one) and the LX's, while still very nice basses, on average are not as nice as the previous two series. Do the sandwiched body wings play a factor? Maybe, but it's just an overall quality and feel thing. I know one thing, the sandwich look really messes up the asthetic lines of the otherwise beautiful NS body shape. I'm not anti-Hippie Sandwich. I just don't think it works with the NS body.
Very very interesting observation Phat...
And about the sandwiching of the wings...I was kind of shocked the first time I'd seen that, maybe not the cleanest look from side profile but sure sounds fantastic and Stuart knows what he likes to hear and makes a awesome instrument!



