Went to the dealer after dinner, to check out the 3TS I ordered.
As with the other two I tried, the fretwork was clean and neat. Stellar, considering the price point. Made the cheap Ibanez models on the other rack look pretty sad with their fret sprout, high spots, etc.
The string heights and intonation were off a little, but much better than the pickup height adjustments, which were a joke. The bridge feels quite solid for a vintage-style bent plate. The strings are nicely centered over the neck and pickups. The tuners are a little sloppy, but that's fixable, as per this thread:
http://www.talkbass.com/forum/f18/can-i-tighten-sloppy-elephant-ear-tuners-720367/
It's lighter than the first CAR that I tried, which is still in the store. Lots of action on the top and back, including some flame, bad bookmatching, greenish tinges and a knot or two. Not pretty, but it looks visually interesting at a distance, which is all I care about on stage.
The straight-grained, flatsawn maple neck has some nice silk visible through the thick poly finish. The neck shape is a little wider and flatter than the boat necks I tend to favour, but still a pleasant handful, with nicely rolled fingerboard edges. This neck has less of the dipped-in-plastic feeling that bothered me slightly on the two CAR's I've played.
Acoustically, it sounded nice and even string-to-string. The B string sounded balanced, and about as tight as I've seen on a Fender (usable, but not brilliant). There was a noticeable dead spot at the C on the G string, but it was fixable with only minor pressure on the end of the headstock.
Plugged in, it was hard to judge with the pickups adjusted so unevenly. Still, it gave the same impression as the other two I've tried- a little darker and rounder than I would expect from a vintage P, as though the pickups are slightly overwound, or the poly finish is too thick. The tone control covers a nice range, and both controls work smoothly.
Overall, a nice representation of a passive P-bass with nickel rounds.
Within 15 minutes, I was ready to buy. Which is where it got interesting.
As I was walking to the counter, I noticed a big chunk knocked loose on the end of the headstock. Still attached, but standing proud of the face of the headstock by a good 16th of an inch.
The salesman was very good about it, and suggested that if I liked, I could take the bass home and use it while they ordered another one.
After a bit of negotiation, we agreed that I would take it as is, at a discount. They made it clear once again, that I had 30 days, and they would still be happy to order me a replacement.
I don't think I'll bother. My repair won't be perfect, but it will be passable, and I bought this as my beater bass anyway.