I'm probably in a small minority of Stingray fans who doesn't use the single H tone very often. I've always owned and played HH's specifically because I really like a couple of the coil combinations I get from the HH.
But I gotta admit that the single H is a great tone in the right hands. That sounded fantastic.
What I said in the post I referenced above has been true for just about the entire time I’ve owned my SR5HH’s. But funny how things happen. Right around the time I posted that I started Positions 1 and 5 more than I have in a long time.
I’m finding Position #5, neck pickup, with some mid boost works great on our blues and most classic rock songs, such as our B.B. King, Tom Petty, Santana, Pink Floyd, Lynyrd Skynyrd, Kenny Wayne Shepherd, Dire Straits, etc..
And I’ve also been getting great results using Position #1, the classic single H bridge pickup tone, with some bass boost and maybe a little mid boost for a gnarlier tone that works well on our songs by Allman Brothers, Cream, ZZ Top, Joe Bonamassa, The Who (sounds AMAZING on The Who, especially boosting treble, too!), etc..
I still use all five positions on a gig and still love Position #4 above the others. But I’ve noticed that recently I've been using the various positions differently than I have in the past. I suspect part of if could be the novelty of using different tones and it feeling/sounding fresh to my ears, which seems reasonable – and it’s a h3ll of a lot cheaper than buying new basses. It’s also making me appreciate the HH config even more than I have for so many years. They have SO much versatility.