I'd ask the company for there opinion, merely because perhaps one of those cap interactions might cause a comb filtering or some other issue.
I'd do bass 10 and custom 6 or guitar 6 if all worked ok. Probably dependent on how I really Intended on running the bass 10 realistically. Probably guitar though if you ever went just bridge pickup and wanted the slightly lower setting.
that's what i was thinking. in the emails the guy recommended the guitar 6 and bass 10 for stereo, but i'm not sure if it's just sales talk or if it will actually work well and if it's worth the money!
I went out last night and saw North (Tucson AZ), Oryx (Las Cruces NM), and locals Goya and Take Over And Destroy at the relatively tiny Tempe Tavern.
Every cab on stage was mic'd for each performance.
I have no idea why.
For Christ's sake, Tommy from Oryx (guitar-drums 2-piece) was rockin his Epiphone Les paul through a fecking Peavey CS1200 (stereo SS power amp, 600W per side) into a 8x10 on one side and a goddamned Worshiper cabs prototype ported 4x15 on the other side. You're gonna mic that? in a room the size of a three car garage???? Oh yeah and ALSO an Electric tube head on a 4x12. Maybe that was just the drummer's monitor.
sounds stupid, but IEMs? saw Kylesa and they did this in a pretty small venue.
