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Stoner/Doom Bassists Thread, Part 90: Maxed Out

My main complaint about punk.

Yea it's not really my genre, but a little attention to drums and the mix would really help. All guitarists had a half stack and solid state head cranked, while every bass player but one had a 1x15 combo (had a markbass and that weird mesa boogie 4x10with a 15" in the center) so with such a volume discrepancy some simple but calculated EQ'ing would have really made stuff stand out.
 
I say sell the 4pro and pickup a couple of used pf800s.
You'll have allot more wattage at 4 ohms.

Still sound like Ampeg. Might even be lighter if you racked them up.


Have you had that 4pro looked at? Could you have a bad tube?


I do need to get it looked at for sure. It could be a preamp tube on the out I guess. I will definitely consider that. I use a pf500 at one of our rehearsal spaces and it is every bit as loud as one side of the 4 pro. I had considered a pf800 for the inevitable amp blow mid show if I keep at what I am currently doing. Also, I am not faithful to the Ampeg tone. I would love to pick up an SVT but I really don't want to move it. P**** s*** I know but I use my back a lot at work, haul some heavy ass cabs and would rather not destroy it more than I have to.

Id say more traditional ampeg tone than the sterile IMO tone of the pro series.

I don't know why I decided to buy this 4 pro. I think I was just desperate for wattage. After my first show with these guys I saw how far 500w and an 810 would get me... which was not far at all. I literally couldn't hear myself at all and had to rely solely on muscle memory and visual cues. I did get the amp for $500 so it shouldn't be to difficult to recover that.

I have been thinking about grabbing a Carvin BX1600. It has numbers similar to the 4 pro but at 20% of the weight, a warranty and (I have heard) a more honest power rating. Really its either that or a LARGE power amp that I can just keep "cranked" at like 3 or 4. Either way I am at a point financially where I can get my 2000s up and running and then I will be able to run two amps via ABY.
 
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I do need to get it looked at for sure. It could be a preamp tube on the out I guess. I will definitely consider that. I use a pf500 at one of our rehearsal spaces and it is every bit as loud as one side of the 4 pro. I had considered a pf800 for the inevitable amp blow mid show if I keep at what I am currently doing. Also, I am not faithful to the Ampeg tone. I would love to pick up an SVT but I really don't want to move it. P**** s*** I know but I use my back a lot at work, haul some heavy ass cabs and would rather not destroy it more than I have to.



I don't know why I decided to buy this 4 pro. I think I was just desperate for wattage. After my first show with these guys I saw how far 500w and an 810 would get me... which was not far at all. I literally couldn't hear myself at all and had to rely solely on muscle memory and visual cues. I did get the amp for $500 so it shouldn't be to difficult to recover that.

I have been thinking about grabbing a Carvin BX1600. It has numbers similar to the 4 pro but at 20% of the weight, a warranty and (I have heard) a more honest power rating. Really its either that or a LARGE power amp that I can just keep "cranked" at like 3 or 4. Either way I am at a point financially where I can get my 2000s up and running and then I will be able to run two amps via ABY.
A second amp may be all it takes to sort you out, that gets you two 4 ohm cabs with the 4pro bridged into one. Although if I wanted a second amp to complement the 4pro if pick something with a grindy power section like a 400rb, or a hartke MOSFET 3500. The sunn wouldn't be my first choice betting an ultra linear design (IIRC).
 
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